In April 2008 in the Lower Austrian town of Amstetten a woman called Elizabeth Fritzl told police that she had for the past 24 years been held prisoner in an underground room under her father’s house. He had systematically raped her, she bore him seven children, and kept her from the world; even his wife didn’t know she was there.
This was the inspiration for Donoghue’s 2011 Man-Booker long-listed novel, Room, which went on to be filmed, with a script by Donoghue, in 2015, starring Brie Larson, who won an Oscar for Best Actress.
This book is a collection of short stories, her third, and came out in 2006. She tackles the foibles of modern people in stories told by various voices, genders, and sexualities: the desperate, but hilarious, lengths a forty-something woman will go to, to beat her biological clock; a cool romance set against the rough and back-slap masculinity of football where two rookies find more than the ball during their training sessions; and a touching and romantic story about the meeting of two minds and two bodies told in two narratives that weave and tangle with each other just like their hands do in the back of a van in the middle of a dark night, lost in the back lanes of Connemara. And that’s just three of them.
There’s a thread here running through these stories: of inner thoughts shared only with the reader that gives Donoghue’s writing the personal warmth and favouritism of dramatic irony; an intimacy with the reader that draws you in and makes you part of her intent.
Donoghue not always, but mostly, instills in the reader a confidence that you are in good literary hands. This is a book that could sit comfortably in your bedside book pile so you can dip into it again and again. Some stories will become favourites.
You can get the book, in various formats, here.