Freda Meier

A short story.

1

For Albrecht Meier the whole world jolted and slipped sideways one Monday morning in the early summer of 1950 when, walking to work to his machine job at the Pope Factory, he realized that the discomfort in his stomach wasn’t a tummy upset: he was in love with his wife.

This was unexpected and had not been part of the deal.

Back in 1926, The Meier family had moved to Neu Heim on the banks of the River Murray from Neale’s Flat several hundred miles to the west, on the ‘dry’ side of the northern Adelaide Hills. The small Nue heim settlement took advantage of the land between the main Loxton Road and the river and was a bastion of German Lutheranism where several families had settled. Freda Weiss was the third daughter of one of them: a wealthy family with extensive property at Neu Heim. However, the Meier’s new property was on the other side of the main road, again on the ‘dry’ side. Irrigation was in its infancy but there was certainly an advantage living ‘on’ the river and the Weiss family’s prosperity confirmed it, whereas the Meier family had to rely on the fickleness of the weather, and that took a social, financial, and personal toll.

Albrecht Meier and Freda Weiss had gone to school together at the local Lutheran Church. He once grabbed her bonnet off her head and stuffed it down the toilet hole in the school latrine, as a sign of affection. She understood this but acted outraged as was expected. However, she was removed from school to look after her frail mother who was expecting another child, but with three other daughters in the family, there were rumors of another more scandalous reason, so the gossip went. Freda and her mother were not seen at church for over seven months. Albrecht paid little attention to gossip. He read the Bible, played his cornet, and tended to his beloved horses and when he left school to work on the farm with his father and brothers, he had only seen her at church and community functions but paid little attention to her. He paid very little attention to any of the eligible girls in his community. He was always considered a serious type, obedient, helpful, a good boy. He considered that girls and all that was something for later when he was older. But being the youngest boy, he was usually overlooked, not with any punishing intent; he seemed to be self-contained and happy to be left alone so he had drifted to the periphery of his family’s attention. Finally, Freda, Mutti, her mother with a new babe, Freda’s brother, were welcomed back to church. Albrecht began finding himself planning on where he would sit in church so he could see her and maybe get a smile thrown his way.

When he became aware that his parents were discussing him, he also became aware that such discussions seemed to have been going on for some time, like he’d come in late to a kitchen conversation and, curiously, they included the eldest of the Weiss boys, Gerhardt; he was a friend of his brothers, but he had come to the house to talk to his parents. Albrecht soon discovered what was intended.

To say the marriage was arranged would’ve been too blunt for the religious sensibilities of the community, too old-fashioned; it was fostered, encouraged, and successfully so. What the couple may have thought about it no-one much cared. It’s what the families wanted; it’s what the families orchestrated and what the families prided themselves on achieving. He had not objected to the match; Freda was a handsome girl. It solidified the mutual respect of the two families – Albrecht was proud that his family was now considered at the same social level as the Weiss’ – and whatever the family wanted and needed he was willing to comply. Loyalty to family and God were, in his young malleable mind, as one and the same thing. He saw it more as a mutually beneficial understanding than a marriage. He would still have his horses, his cornet and piano, he would still work on the farm, and they would live in the Wappika cottage at the far end of the Schober Road paddock. It was even further away from the river but still on Meier land. It never occurred to him what Freda might feel about it; he assumed she consented to the arrangement and was part of the understanding. Women’s opinions were as unconsidered as foreigners. He was aware of the necessities and pleasures of marriage and wasn’t ignorant, nor frightened, of his sexual responsibilities but he was a little surprised, and vaguely worried, at his new wife’s ardour on their wedding night but, like most men, he concluded that it had more to do with him than with her and resolved that the Christian thing to do was to be more matter-of-fact.

That was over twelve years ago and three children since then: Reiner, a fair-headed boy was born in 1934, followed by Lowden, a dark-headed boy a year later. Reva Marie, a rosy-cheeked curly blond-headed girl, was born rather unexpectedly, in 1942.

2

‘Hey, Lowy!’ said Reiner, in a whisper as loud as a cocky.

‘Sssh! Dad’ll hear.’ 

He tried again. ‘We gotta go!’ 

‘It’s too cold.’

‘Yeah, a bit, but the pigeons’ll be sleepy coz, and easy to snatch.’

‘We’ve got to get there first.’

‘It’s all set. Fair dinkem. Ol’ Scratchy Bum’s fence is all set to go. I got it ready before tea.’ 

‘It won’t work.’ 

‘L-o-w-y,’ said Reiner threateningly in his big-brother voice. 

The two boys slept head to toe, toe to head in a bed in the sleep-out: the side veranda was closed in with wooden walls and louver windows of bubble glass. It used to be Rainer’s but since their little sister, Reva, came along, Lowden’s bed went to her in what used to be his room, in the house, so the boys had to share: one under the sheet, one on top. They weren’t told why, but Rainer knew that Lowy was still very young and still had baby germs, so that must’ve been the reason. Rainer was the oldest so his name couldn’t be babyfied but Lowden, Lowy, wasn’t just the younger, he was also the used, Rainer the user, but sometimes the slave, but always the follower. 

Rainer’s plans always got Lowy into trouble. 

Little Reva had been a baby and so out of their thoughts for a hell of a long time. Months! Her full name was Reva Marie but that was a bit of a mouthful, ya tongue tripped over itself so she became just Reva. Reva was enough! But she had growed-up quick and wanted to join in their games, mainly Cowboys and Indians. It was always Cowboys and Indians like on Saturday arvo at the pictures. Mum forced them to let her play with them or else they’d get a hidin’ til their legs went red, but really they found her useful, with them as the Indians, hootin’ and shoutin’ with chook feathers in their hair and slapping their hooting mouths with the palms of their hands which was what real Indians did – everybody knew that – so she had to be the cowboy who was tied to the Hill’s clothes-hoist, but when she kicked up a stink about always being tied up with the kindling stacked ‘round her feet screaming blue-murder when they lit a match Mum made them make her the Indian, so they did, and put chook feathers in her hair an’ all, but she couldn’t hoot and shout because she was still tied up to the clothes-hoist as the two cowboys skipped and slapped their thighs and danced around her like real cowboys always did in saloons and stuff, and still Reva screamed and yelled sounding no way what a real Indian would sound like. Reva was never satisfied with her role. She was a girl. 

Their school was down the street and around the corner a ways, but as the crow flies, it was near as a neighbour but you had to climb on the chook-house roof, jump over one fence, through a pumpkin patch, over another fence with the help of Ol’ Jock’s apricot tree, down a lane full of leaves, rats, and bits of rusty bikes, and then through the back paling fence of old Mrs. Overden who they called Ol’ Scratchy Bum coz she was forever tugging at her ‘lastic coz her undies kept stickin’ in her bum crack. 

On Saturdays, sometimes, the boys were allowed to go on their own to the Odeon Theatre just around the corner in David Terrace, and down a bit, but if the boys were really good, which wasn’t often, they were allowed to go on the tram by themselves into the city to the pictures, buy an ice cream or a biscuit, and back on the tram again; all for sixpence. Oh, hey! When ya had to write sixpence ya had to write it with the letter ‘d’ after the number which was really stupid coz the word ‘penny’ started with a ‘p’ not a ‘d’ but that’s what the king who lived in England said ya had to do, so, because the king in England said that, that’s what ya had to do which was really stupid. But that’s kings for ya. 

Anyway, Rainer had to look after Lowy, and he took his role very seriously. The tram was a real rickety thing  – that bucked and rocked whenever it started off and had to stop. The wheels were in the middle not at either end, so whoever designed it like that needed his head examined. That’s why they called it the Rockin’ Billy! A little boy who wouldn’t hold on like he was told to could be easily bucked off and go head first into the traffic! Reiner had to hold onto Lowy’s hand as they got on the tram and Lowy always wanted to sit near the door so he could see the cars going past but Rainer made him sit right in the middle of the tram as far away from the door as possible because he didn’t want Lowy to fall off – there were no doors; but not because he was afraid Lowy would get run over, flat like the pennies they put on the tram tracks to watch them buckle and pop as the tram went by, but because he would get a hidin’ from Dad if he didn’t do what Dad said: he had to look after his little brother, which was what big brothers were supposed to do. It was a rule, Dad’s rule.

Rules had to be followed coz Dad said that’s the way the world works. He called it an axiom. Dad knew some strange words. He worked in a really big factory where he made sprinklers and other water pipe stuff. Rainer knew not to ask stupid questions, so he worked it out for himself. He knew that some words were related but had different endings, like god and godly, and some words went together like sauce and sausage, so he reasoned that the word axiom had something to do with axle; and he knew that if you broke an axel the car wouldn’t go so he kinda understood what his Dad said about rules. But that didn’t mean he never broke them. And that’s why there had to be The Black Mariah that hung behind the kitchen door, when Dad wasn’t using it to sharpen his razor, that is. And that’s another thing. He knew about rules, but he also knew that he broke some. It was like there was two Reiners, one who knew the rules and one who kept breaking them. This was a confudlement: another word he heard in a book. He couldn’t ask Dad coz he’d get – Don’t ask such stupid questions – and he couldn’t ask Mum coz he’d get – Ask Your father – but like all confudlements he knew that everything would become clear when he was a grown-up. But he also knew that some grown-ups did stupid things. There were some new people, English people, who lived in the lean-to off the side of Charlie Berendt’s place: the cobbler, and someone said that in summer when it got really hot the English people hid under the bed because they thought the hot sun would set them on fire. That’s really stupid! Didn’t they have a sun in England? And they were grown-ups! Well, some of them. Maybe they didn’t have sprinklers in England. They should see their king about that. 

‘Lowy! If you don’t get up right now I’ll give you such a Chinese burn!’ 

‘It’s dark.’

‘Of course, it’s dark, you nincompoop. It’s midnight! Come on!’

‘Oh, Jeez Tosser,’ whined Lowy. The girls at school were always hanging around Reiner and called him Tosser coz he kept flicking his forehead curls out of his eyes with a toss of his head. Tosser he became and Tosser had stuck. 

The two boys eased themselves out of bed trying not to make the bed-springs creak and put on what clothes they could find in the dark. It didn’t really matter what clothes they put on; they were all Rainer’s. Getting the louvers out of their slots was trickier still but within five minutes or so they were out of the sleep-out, grabbed the stashed potato bag from its hiding place, over the chook house, and on their way. 

When they got to Ol’ Scratchy Bum’s place, they knew exactly where she kept her ladder, propped-up behind the laundry, and when they got to her back fence, ‘Hey Rainer, these palings are already loose,’ whispered Lowy. ‘Y-e-a-h! I told ya, dumb-bum. I did ’em before tea. Come on!’ And with great and silent care they maneuvered the ladder and themselves through the fence and into the school yard. This was territory Rainer knew as well as he knew the freckles on Lowy’s face. Within minutes he had the ladder against the stone wall of the toilet block and was shimming up to where the pigeons were roosting on top of the stone wall under the corrugated iron eaves. It was easy. Before you could say Bob’s Your Uncle, Rainer had six pigeons and a couple of handfuls of twigs, feathers and stuff in the potato bag and they were scurrying at each end of the ladder back to Ol’ Scratchy Bum’s laundry with the bulbous bag full of fluttering pigeons bouncing against his back. All they had to do was pop them in the little pigeon coop they’d tacked together that afternoon, out of chicken wire, veggie boxes, rusty nails, and binder-twine on the side of the chook-house. The twigs, feathers, and stuff made the birds feel right at home. 

Jeez, they were clever. Here was their little business. At a tu’pence a pop there was more than a bob’s worth cooing and snuggling into their new home. And this was just the first night! Wait till they see the look on Dad’s face when Rainer says, No, Dad, put your sixpence away, we don’t need ya money for the pictures. We’ve got our own!

3

The Pope Factory, in Charles Road, Beverly, was only a thirty-minute walk from 419 Torrens Road, down David Terrace and across the Port Road. There was a second-hand black Ford Anglia E04A 2-door saloon in the garage at Number 419 but like some of the crockery in the kitchen cabinet and some of the clothes in the wardrobes the Ford Anglia was only used for best: to church on Sundays and the yearly trip to Nueheim on the Upper Murray to see their relatives.

Albrecht, Al, never liked to be late so always gave himself enough time in case of unexpected delays which could be all kinds of things: he once had to help a lady find her dog. It had crawled under the house and Al had coaxed it out with a kind voice and a bit of bread and cold mutton from his lunch box. He had always been good with animals. And then last year a small truck had collided with a tram and being a responsible Christian man, he had to go and see if he could help. But, to Al’s mind, not in all the world would he have imagined that of the ‘all kinds of things’ that could be considered as ‘unexpected delays’ could they possibly include this falling-in-love thing. It amazed him, but what amazed him most was that there was pain involved. Actual physical pain, like a stomach-ache after too much chocolate but sharper, hotter. It made him take deep breaths as if his lungs were tied all of a sudden. The tinny ding-ding of a tram made him look up and he realised he’d been standing on the side of the Port Road for, well, he had no idea how long he’d just been standing there. And then he knew why he felt like he did: the thought of losing her.

4

Reva Marie was an independent little girl. She had to be. Her house in the mornings was frantic: both Freda and Albrecht went to work – Freda worked at the local ACTIL Cotton Mills a few blocks away at Woodville – and the boys had to be wrangled to get them off to school. There was shouting and banging around, hot words sometimes and bad language, well as bad as language could get in a God-fearing Lutheran household. ‘Damn’ and Hell!’ were verboten and would lead to a hiding, or the threat of one if time was short, which it usually was in the chaotic mornings. The worst of the language was from Rainer ‘Bloody Hell!’, and usually under his breath so only Lowy or Reva heard it. Reva said a little prayer for him, but Lowy took on Rainer’s sin as yet another burden at being his younger brother. Reva, to escape the mayhem, simply went over early to the house next door where her grandma lived. Freda’s parents had helped finance their house, but no-one ever talked about that. Bertha Weiss – Grandpa Weiss had died and gone to Heaven before Reva was born – was a tiny old woman and she looked forward to little Reva Marie coming over in the mornings and helping her get breakfast, setting the table, making the tea, buttering the toast, and learning a lot about what went on in her daughter’s house. Just before Reva’s sixth birthday, on a rare occasion when both households were together, someone had asked her what she wanted as a present. She said, without hesitation, that she wanted to go to school. No-one expected that. Who would take her? The boys didn’t want to. The parents had to go to work. And Bertha would miss her dreadfully. She was a girl, so education was never considered important. Reva Marie wasn’t fazed by this and simply said she would get herself to school. And she did. 

Reva Marie, aged six and a bit, and tall for her age, finally started in Grade 1, the oldest in the class, and the brainiest, because she started so late and had already discovered the magic and magnetism of books and also was aware that what adults said and did, did not always match. Now she was almost nine and no more a little girl, still shorter than her brothers but far superior in every other measurement.

On Friday she was walking home, no one came to get her, the boys just ran off and left her, as usual; they wouldn’t be seen dead walking with a girl! She didn’t mind; walking home alone gave her a lot of thinking time and Reva Marie loved her thinking time very much. So, she was walking alone again on the footpath along Torrens Road, thinking about if those sparks she had seen once at her dad’s foundry had anything to do with the stars in the sky, they looked so alike, when she heard a noise. It was like a voice and not like a voice, a cry but not like a cry. She wasn’t sure what it was, but it seemed to be coming from a big hibiscus bush that spilled over a low garden fence onto the footpath. She stopped and looked at the bush, and then she made her eyes look into the bush. The leaves were dark green, and the flowers were big and very red. She parted a branch or two and that’s when she saw her. A little girl. Hiding in the hibiscus bush. She had small eyes, a button nose, and a small mouth, all on a very round face. Her once blue dress was grubby and a bit torn. She was wearing a little apron that wasn’t doing much to protect anything. Her hair was fine and mousy, straggly and needed a cut.

‘What are you doing hiding in a bush?’ said Reva Marie.

The little girl had a silly look on her face as if she had done something wrong. ‘I’m not hiding,’ she said. ‘I’m waiting.’

‘Waiting for who?’

‘… you?’

She seemed to be asking her if she was the one she was waiting for. She didn’t know. Was she?

‘Where do you live?’

The little girl didn’t answer. She didn’t want to say but shook her head; she shook her head slowly at first but then faster and faster until her whole body was shaking to and fro. She really didn’t want to say.

‘Your Mum will be worried about you.’

And she swayed her whole body again as if to say really loudly, ‘No, she wouldn’t!’

‘So, what am I going to do with you,’ sighed Reva just like her mother did when exasperated by the boys coming inside with muddy shoes.

The little girl held out her hand, offered it to Reva Marie who could see narrow welts on the little girl’s palm. She saw what Reva Marie was looking at and snatched her hand back real quick and hung her head and just stood there.

‘Alright then,’ said Reva Marie. ‘Come with me,’ and she reached and took the little girl’s hand. ‘Come on! You can’t stay in a bush!’

A little smile crinkled the little girl’s tight mouth, and she went with Reva Marie, hand in hand down the footpath along Torrens Road like two little girls walking home from school. To the little girl it felt like heaven, like home: the closest she’d ever come to being with someone.

As they were getting nearer to Number 419 Reva Marie thought she saw her mother standing on the footpath outside their house. As she got nearer she saw that it was her mother standing outside their house. And with a suitcase by her side. Reva Marie walked on with the little girl in tow until she got to Grandma’s house, next door to hers. She stopped. ‘Mum?’ she called, frowning.

Freda Meier’s head jolted in her direction. She was crying!

‘M-u-m?’ repeated Reva Marie.

Just then she heard a noise, a knock on glass, and turned to see her Grandma gesturing to her to come in. Freda Meier heard and saw the old woman, her mother, too. She picked up her suitcase and hurried back into her own house without a word.

Reva Marie didn’t know what was going on. Her Grandma knocked on the window again and gestured emphatically for her to come inside. So, she did, dragging the little girl with her.

The girls walked down the side of Grandma’s house and under the thickly leafed grape vine that covered the unused driveway. It was early summer, and Reva Marie could see the forming bunches of grapes, tiny now, like lace, but soon there would be plenty to eat, if they got to them before the birds. Grandma Weiss, hair piled on her head and wearing a large, brown-checked bibbed apron that covered almost all of her, was holding the back door open with one hand and she had a rag, an old man’s singlet, her dead husband’s, in the other. As the little girls walked in Reva Marie could smell vinegar: Grandma had been cleaning windows. They waited by the kitchen table.

‘Who’s this then?’ asked Grandma Weiss.

‘She’s lost.’

‘What do you mean, lost?’

‘I found her in a bush.’

‘Don’t be ridiculous. What’s your name, girl?’

The little girl shrunk against Reva Marie.

Grandma looked annoyed with pursed lips, ‘Cat got your tongue?’ The woman took a deep breath and put on a smile. ‘Now, little one, you must have a name. Everyone has a name. What shall we call you?’

The little girl looked up and then at the table where lay an open magazine to pictures of a really big house on one page and a full-page picture of a beautiful smiling woman on the other. She had really thick eyebrows. The little girl reached up and pointed at the picture of the woman.

‘Who’s that?’ said Reva Marie.

‘Acht! Some brazen actress,’ said Grandma as she closed the magazine. It was The Australian Home Beautiful, price one and sixpence. ‘Well, I suppose, one name is as good as the next. Joan! Shall we call you Joan?’

The little girl nodded her head.

‘Then Joan it is. Right! Reva Marie, you make the tea. You know where the biscuits are. And Joan here needs a wash and some clean clothes, so you come with me. Grandma took Joan’s hand, but little Joan wouldn’t let go of Reva Marie.

‘It’s alright Joan,’ said Reva Marie, ‘Grandma has boxes of children’s clothes out in the garage for the Lutheran Ladies Trading Table. You can choose something you like.’

Joan was convinced (a choice!) and let go of Reva Marie’s hand.

‘First things first,’ said Grandma. ‘There’s your little dirty moon-face to take care of, young lady, and other bodily bits no doubt. Come with me, little Joan.’

Grandma pulled the little girl out of the kitchen towards the bathroom and Reva Marie put the kettle on, got out three cups and saucers, the Elysee everyday set, not the Kobenhavns, which was only for best, and fetched the gollywog biscuit tin from the kitchen cabinet and put it on the table.

Some thirty minutes later, Little Joan, in a pale cream frilly dress with yellow roses around the hem and a white and pale blue cardigan, sat at the table, legs dangling off the floor and ending in white socks and little brown shoes.

‘Don’t eat so fast, Little Joan, you’ll give yourself an ache,’ scolded Grandma, as gently as she could, which wasn’t very. ‘Come and sit here, Little Joan. Come on!’ And she pulled the girl from her chair and up onto her lap, then dragged her cup of tea and saucer in front of her. ‘There we go! And only dunk your biscuit once, and very quickly or it will all fall into your tea and make a mess.’

Reva Marie felt a pang of something new: jealousy. It was common family knowledge, true or not, that Grandma Weiss wore, and had always worn, a cast iron girdle around her waist, and Reva Marie had for years longed to sit on her Grandma’s lap to see if the story was true, but Grandma Weiss’s lap had not been for sitting on, until now. Reva Marie looked sternly at the little girl sitting where she herself wanted to be.

‘Now, Reva Marie, your mother!’ continued Grandma Weiss. ‘She’ll be the death of me, that woman! So, what’s she up to now?’ and in preparation for what she assumed she would hear she put both her hands over Little Joan’s ears.

*

Later that Friday evening when Albrecht got home from work Reva Marie was setting the table and had put the pot of yesterday’s mutton stew, flavoured with a heaped dessertspoon of Keen’s Curry Powder, back on the stove which sat within the old bricked alcove made especially for it. Little Joan sat and watched. Reva Marie’s interview with Grandma hadn’t lasted very long because she didn’t know the answers to any of Grandma’s questions.

The boys were out the back tending to their pigeons and showing them to Mrs. Dietrich and her little boy Alan. Mrs. Dietrich was the Lutheran Pastor’s wife and a very important person. Alan Dietrich was pasty and thin and had been beaten up by Reiner twice, but the need for pet pigeons was far greater than his fear of Reiner, who was as charming as spilt honey. Mrs. Dietrich had bought a pigeon two weeks ago for Alan and now was back for another. The boy’s little business was flourishing it seemed. When Reva Marie introduced Little Joan to her brothers, Lowden said, ‘Hello Little Joan’; Reiner said, ‘Not another one!’ but when she tentatively introduced her to her father, Albrecht Meir was more interested to know where his wife was than what a strange little girl was doing at his kitchen table. His questions about Little Joan would have to wait.

‘Mum’s in the bedroom,’ was all Reva Marie said, when asked. She had told him what she had seen but, of course, what she had seen was very little. Reva Marie noted the stern look on her father’s face as he disappeared out of the kitchen. Practical girl, she went to the stove and moved the pot of stew half on and half off the stove; she anticipated a long wait until teatime.

Albrecht waited outside the bedroom door, thought a bit, decided not to knock, and went in.

Freda Meier was sitting on the bed, back to the door, head down, but she whipped it around at the sound of the door opening and closing.

‘I don’t want any of your self-righteous clap-trap,’ she said. He noticed she was wearing make-up, now smudged, and had on one of her old Sunday dresses. He also noted the suitcase on the floor.

When he didn’t answer she got up off the bed, turned to face him, stood erect, meeting his gaze. She was a determined woman and her stance said she was prepared for what she thought was coming.

Al walked slowly towards her. She stiffened. He took out a handkerchief from his trouser pocket, reached and held her chin with his left hand and began to wipe the wet eye-makeup from her cheeks.

‘You don’t need to wear this stuff on a weekday,’ he said, quietly but not unkindly.

This was one of the things she hated about her husband: his control. She would’ve preferred shouting.

When he was finished, he folded his handkerchief and put it back into his trouser pocket.

‘That goes in the washing,’ she said.

 He ignored her and pulled out the chair from under the dressing table, sat and looked at her. ‘Tell me,’ was all he said.

She decided to fight control with control. She sat back on the bed which didn’t feel like control at all; it felt like too much giving in. She wasn’t sure what was appropriate. She stood up again. ‘I’m sick of it. Sick of it!’ Her mouth was tense trying to keep her voice down but also letting him see her frustration. It came out sharper than she had intended.

‘Sick of what?’

‘All this. The boys are running wild and getting into all sorts of trouble. Mrs. Overden says they broke her ladder and Old Jock over the back swears they cracked a branch of his apricot tree. I can’t control them. And you do nothing. You working. Me working. But chump chops instead of cutlets. Stew instead of steak. Why? A new car in the garage we never use,’ and holding out her skirt, ‘The Lutheran Ladies Trading Table instead of John Martins. Why?’

‘We’re saving.’

‘What for?’

‘You know! For the future. A better life.’

‘Where is this better life?’

Albrecht thought of Stan Jacobson who said he knew of a place.

‘When is this better life? When?!’

‘When the boys reach leaving age so they can help.’

‘What, in a business?’

‘Could be. I don’t know yet. There’s time.’

‘There’s your time. What about my time.’

‘Reiner will be thirteen soon.’

‘Next year.’

‘Alright then. Next year. That’s not too long.’

‘Not for you. What about me? I want something better. And sooner! I used to live in a five-bedroom house.’

‘Of course, you lived in a five-bedroom house, there were seven children.’ Albrecht stood up and went to grab her hands, ‘Freda.’

‘Don’t touch me.’ She wanted to remind him that his family had six children and only three bedrooms, but the moment had passed.

Albrecht looked at her and then at the suitcase.

‘What’s this then? Hm? You want someone else to touch you?’

‘How can I let you on top of me when I’m so angry with you?

‘Don’t talk like that.’

‘You and your damn piety. Do you think God has time to watch what we little people do in the dark, and only when you want to?’

‘He knows everything.’

‘Then he certainly knows how I feel.’

‘Lasciviousness is ungodly. Besides, we can’t afford another child.’

‘Hm! It needn’t be for a child.’

His body jigged. His face went dark. His mouth fell open. ‘What did you say?’

Luckily, there was a knock at the door. They heard Reva Marie’s earnest voice through the door, ‘Daddy?!’

‘Not now Reva,’ said Albrecht over his shoulder, throwing the words at the door.

‘But Daddy, it’s Mrs. Dietrich.’

‘Who?’

‘Mrs. Dietrich. Pastor’s wife. She’s a bit upset.’

Freda turned away from him.

He sighed. ‘Alright. Coming.’ He turned to face his wife. ‘Freda.’

She turned to face him.

He pointed at the suitcase and said, ‘You will tell me about this.’ He left the room.

‘I showed her into the lounge room,’ Freda heard Reva Marie say to Albrecht. She sat on her dressing-table chair and looked at herself in the mirror. She opened a jar of Pond’s Cold Cream and scooped out a large dollop, looked at herself again, and smeared cold cream all over the mirror, smearing her reflection.

Mrs. Dietrich was standing in the middle of the living room. Her boy Alan was cowering by her side, looking terrified.

‘Mrs. Dietrich,’ said Albrecht with a smile as he entered and saw the woman. ‘How nice to see you. I hope Pastor is well.’

‘Very well thank you, much better than I, Mr. Meier.’

‘Oh, I’m sorry to hear that. What appears to be the trouble?’

‘This, Mr. Meier, is the trouble,’ and she held out her hand in which was firmly grasped a pigeon.

‘Is it not healthy?’

‘Oh, it’s very healthy, Mr. Meier. It’s as fit as a fiddle.’

‘That’s good.’

Her face crinkled. ‘Mr. Meier, are you aware of your boy’s little enterprise?’

‘Yes, Mrs. Dietrich. They sell pigeons for pocket money.’

‘Yes, they do, and I bought one for my Alan and because he loved it so much and wanted it so badly I paid one shilling for it.’

 ‘I see. That’s a bit expensive, I agree. I’m sure we can give you some of your …’

‘That is not the point, Mr. Meir,’ interrupted Mrs. Dietrich.

‘No?’

‘No. Alan’s pigeon was doing very nicely in the little aviary Pastor Dietrich built for him but one day Mrs. Anderson’s cat took an interest in the bird, so we became very protective of it. Alan even gave it a name, didn’t you Alan? And what did you call it? Alan?’

Alan said something.

‘Speak up Alan and look at the person you’re talking to. Haven’t I taught you that?’

Alan slowly looked up at Albrecht and said, ‘Peter, Mr. Meier.’

‘That’s right. We called it Peter and had a little name tag made, but we had a little mishap with the door-latch, didn’t we Alan?’ and she looked at the still withering little boy beside her, ‘and that led to his escape and, we assumed, he became lunch for Mrs. Anderson’s cat. Alan was devastated! So, what did we do? We came back to your boys. Mr. Meier, to get another pigeon. And we found one. This one. Very similar to Peter, in fact, and paid another shilling for it. Alan was delighted especially when we saw this,’ and she grabbed one of the bird’s legs and held it out to reveal and small piece of a bandage wrapped ‘round the little leg and with the word ‘Peter’ written on it in red ink. ‘It’s not just similar to Peter, it is Peter. Do you understand Mr. Meier?’

‘Certainly, Mrs. Dietrich.’ Albrecht’s face was like approaching thunder.

‘Selling and re-selling homing pigeons to little boys, Mr. Meier, may be a country custom but it certainly isn’t a city one. This is fraud, Mr. Meier. Fraud! I demand instant reparation, or I’ll call the police, and they will understand who exactly I’m talking about. They know the names of your boys, Mr. Meier, believe you me.’ And Mrs. Dietrich, having said her peace, stood with hands clasped before her and head held high expecting instant attention.

‘Reva Marie!’ called her father. She had been hovering in the background. Little Joan had retreated behind the kitchen door.

‘Yes, Daddy.’

‘The change tin, please.’

Reva Marie ran to the kitchen, dragged a kitchen chair in place, climbed up on it, took down an old Sunshine Powdered Milk tin from the mantlepiece over the stove, and ran with it towards the living room. She saw Little Joan cowering behind the kitchen door, but she would have to wait; Reva Marie hurried into the living room. Albrecht Meier held out his hand. Reva Marie found a shilling in the tin and put it in the palm of his hand. He looked at it and returned his hand to Reva for more. She searched among the pennies and halfpennies and found two sixpences which she added to her father’s hand. He checked the amount and handed the coins to Mrs. Dietrich.

‘Please, accept my apologies Mrs. Dietrich.’

She took the money. ‘Thank you, Mr. Meier, and I sincerely hope you will deal with your boys in an appropriate manner and return them to the Christian path of fairness and good will. I don’t mind telling you, in fact it’s my Christian duty to say so, but your boys are running amok, Mr. Meier, and need a much firmer hand. Pastor Dietrich only talked about this yesterday. Gooday, Mr. Meier. Come with me Alan, and here, take this.’ She held out the dazed bird to her son who took it willingly.

‘Reva Marie, open the door for Mrs. Dietrich,’ said Albrecht Meier.

Reva Marie dashed past Mrs. Dietrich. The front door was hardly ever used so Reva Marie had to tug at it to get it open. The woman waited and as her proud head was held high anyway she saw the trim tailored grey velvet curtains and her eyebrows flicked up at the trio of swags that expensively graced the window top but then her gaze dropped to the grey-green eucalyptus design of the lounge suite and her nose twitched.

‘There we go, Mrs. Dietrich. Bye, Mrs. Dietrich,’ the girl said, her struggling with the door having succeeded. ‘See you at school, Alan.’

‘Come on Alan, and walk properly,’ and the woman, and son with bird, left the house.

When Reva Marie finally got the front door closed again Albrecht Meier was already gone. She heard his loud and commanding voice from the back yard, ‘Reiner! Lowden!’ and then noticed that The Black Mariah, his shaving strap that usually hung on a peg behind the kitchen door, was missing.

Reva Marie went to the back screen door and opened it to see her father standing patiently waiting for the boys, the Black Mariah dangling from his right hand.

‘Shall I see if I can find them, Daddy?’

‘They’ll come,’ he said quietly with confidence, without turning around. Reva Marie returned to the kitchen to give the lamb stew a bit of a stir and then remembered Little Joan. She was gone. 

Minutes later, Albrecht Meier was swinging the Black Mariah down on the backs of the boy’s thighs as they stood bent over in the kitchen next to the stove, with their pants around their ankles. Lowden was crying but Reiner’s face was screwed tight shut.

Albrecht straightened up and took a breath. ‘Where’s the money?’

Reiner slowly stood and said slowly, ‘In Reva’s play-house, under the roof.’

‘Lowden.’ The younger stood, still sobbing, and pulled up his pants. ‘Bring it to me.’ The boy walked uneasily. ‘And don’t dawdle!’ The boy scampered out the door.

Reiner bent down to raise his pants. ‘Not yet my boy,’ said Albrecht as he pushed the back of the boy’s head onto the table, and he gave Reiner an extra whack, thinking – and that’s for being so bloody stupid and not taking off the silly nametag!

‘What was that for?’ said Reiner through gritted teeth.

‘Never you mind!’

Lowden, still with a screwed up teary face, came back with an old Jaffa packet and handed it to Albrecht. He weighed the contents in his hand. ‘How much?’

‘Two pounds four shillings and sixpence,’ said Reiner slowly.

Albrecht was impressed but didn’t show it. Instead, he reached up for the Sunshine Milk tin on the mantlepiece, opened it and tipped the packet full of coins into it. The sound was loud and final and felt to Rainer as his birds all flying free. ‘Go to your room. No tea for you tonight.’

‘Aw Dad!’ whined Reiner. Lowden sobbed.

‘Go!’ and the boys fled the kitchen. Albrecht didn’t move until he heard a door close. He put the shaving strap back on its hook behind the kitchen door. 

5

Reva Marie knew there was going to be further trouble between her parents. She was sitting in the lounge room bravely reading a book called Thimble Summer, which Grandma had got for her from the Lutheran Ladies Trading Table. Her mother didn’t approve of reading when there were jobs to be done, and there were always jobs to be done, but Reva Marie was emboldened by her Mum still held-up in the bedroom; but she couldn’t concentrate because of what was going on in the kitchen, and she couldn’t read in her room because being in her room during the day felt like she had done something wrong, and she was very careful about that. She thought about her Dad belting her brothers and her Mum on the street with a suitcase and wondered what it all meant. She then remembered something, something nice, something that gave her hope, one time months ago, and she wondered what had changed.

She wasn’t sure why, but she’d found herself suddenly one night sitting up in bed rubbing her eyes. She felt something was wrong – was there a noise? – but was then heartened by the ribbon of lounge-room light she saw under her closed door. Reva Marie got out of bed and walked and slowly opened the door, careful not to bring attention to herself. She saw the back of her father’s armchair where he was sitting. Her mother was sitting on the arm of his chair with her left arm resting over the chairback and onto his left shoulder. It was a calming image. She could see her mother’s right elbow moving in and out and thought she must be rubbing her father’s tummy. He had indigestion sometimes after tea and she must be rubbing it for him, just like she did to Reva when she had a stomach-ache from eating a too-green apricot given to her by Ol’ Jock over the back fence. She thought she heard her father say something, but her mother’s left hand moved and grabbed his arm but then her hand went to her father’s head, and she ran her fingers through his hair and then rested her head against his as she shifted her position slightly towards him, to do more affecting rubbing, Reva Marie thought. ‘There there,’ Reva Marie heard her mother say, or something like that. She must be doing a good job because her father was not moving now and seemed content, but then he did move, and Reva Marie closed her door and listened to the sounds of two people getting up and walking to their bedroom. Reva Marie hoped her mother would remember about the Epson salts in the kitchen cupboard but then maybe, she thought, her father was feeling better and was now ready for bed.

Reva Marie’s anxiety at waking in the dark was completely gone so she climbed back into bed and felt a calming feeling of gentle hands and soothing voices. She went back to sleep very easily knowing full well that everything was as it should be. Nothing was wrong at all.

Where was that feeling now? she thought.

6

After the meting out of justice to his two sons and sending them to their room without any tea Albrecht Meier opened a bottle of Southwark, drank half of it and wiped his mouth. He didn’t know where Reva Marie was. She was looking for that little girl, he thought. Albrecht returned to the bedroom, more business to sort out.

Freda had been sitting at the dressing table. She had taken off all her makeup and the suitcase was unpacked and back under the bed. The mirror glass was clean again. She brushed her hair, stopped, looked at herself, stood up, reached under her skirt and took off her stockings and underwear, and sat with the clothing in her hands. She heard the door open and quickly put the items in the top drawer.

She heard the door close.

‘Tell me. What were you planning to do?’ he said.

Freda had thought about what she might say, what she should say, and what she couldn’t. She turned to him. ‘What do you think it’s like for me? I feed you all, pack lunches for you all, work at the mill all day, feed you all again, day after day, and my pay goes in the bank every week out of my reach, and you don’t touch me anymore.’

‘Oh, Freda,’ groaned Al Meier as he sat on the bed with his head in his hands.

‘Oh, don’t give me that ‘Oh Freda’ business as if it’s you who’s so hard done by. And that bitch Sally Coots hits my break whenever my back is turned, and all my yarns snap and I have to stop the machine and re-feed every spool and start it up again.’

‘Why do you get their back up so much?’

‘Because I’m married! To you!’ she spat a little too vehemently than she wanted. ‘They suspect what kind of man I’ve married who sends his wife to work. And they’re jealous of my week’s count, so much better than theirs, and the attention from Bill …’ She didn’t mean to say that.

‘So that’s his name?’

‘Bill Karras is a good boss and gives me privileges because I’m the best spinner he’s got. They’re just jealous because he won’t give them a second look.’

‘And I suppose he looks at you more …’

‘He looks at me a whole damn more than you do.’

‘Stop it!’ He looked at her sitting there staring at the roses in the carpet. ‘You were going to leave us.’ He said it as if it was the just-discovered answer to a whole sway of little questions. ‘And he didn’t show up.’

‘It’s always been clear to me when I’m not wanted.’

‘Oh, don’t talk such rubbish. You’re a wife and mother.’

‘You don’t want me.’

‘You have a family.’

‘Oh, so it’s keepin’-it-catholic now is it? What does that make me? Chief cook and bottle washer.’ She got up and knelt in front of him, between his knees and grabbed his belt and attempted to undo it.

‘Freda! Stop it!’

She continued and then tried to undo his fly.

‘Freda! Don’t!’

‘I’m your wife. I’m allowed!’

‘And I’m your husband and I say no!’

‘Why?’

‘It’s not right.’

‘Why?’

‘God says.’

‘God never had sex. How would he know?’

‘Don’t blaspheme! Freda!’

She stopped but stayed on her knees.

‘We agreed to a plan,’ he said to change the subject while he redid his belt, ‘double pay for as long as it takes to get the money.’

‘What money?’

‘Enough.’

‘How much is enough?’

‘As much as it takes.’

‘To do what?’

‘To be my own boss. Make a go of something.’

‘Of what?’

‘It’s not clear yet.’

‘You must have some idea.’

For emphasis he raised his hands in the air, ‘I don‘t know. Not yet.’

She took the advantage and swiftly finished pulling down his fly.

‘Freda!’

But she got her hand in and into his underpants.

He grabbed her arm but she had her hand full. He closed his eyes as if concentrating to control himself. She moved her hand.

‘Freda,’ he said through clenched teeth.

‘Oo. Someone might not want to but something else does.’

‘I’m asking you to stop.’

‘Why? It likes it.’

‘It’s an abomination.’

‘No-one’s watching,’ she said softly, and her hand kept moving.

‘God’s watching.’

‘No, he’s not. Besides, he created me.’

‘It’s a sin.’

‘You can pray for forgiveness in fifteen minutes.’

She stood, pushed him back with force and straddled him and got him inside her.

It seemed he only had one other course of action: he swung his arm and slapped her hard across the face, more from reaction than reason. She staggered back off of him and against the wardrobe. She was stunned, then angry, and stared at him with contempt, lying there exposed.

‘You look ridiculous!’ She shouted, ‘Get out!’

‘Freda! I’m sorry but look what you made me do!.’ He got off the bed and rearranged and tidied himself. ‘Freda, I’m so …’

 ‘Go sleep in the lounge room.’ Her voice was low and determined. She reached and grabbed a pillow from the bed and threw it at him. ‘Here!’

‘Freda, be reasonable. We have to talk this through. I won’t sleep on the couch and you’re upset so you won‘t sleep either and we’ve both got to work tomorrow.’

‘I don’t.’

‘Why?’

‘I quit.’

‘When.’

‘This morning. Get out.’

Now, he’s angry. He picked up the pillow from the floor, turned and grabbed his pajamas that were under his pillow, stood next to her and said, ‘Excuse me.’ She stood aside. He opened the wardrobe and grabbed a blanket from the top shelf and his dressing gown from a hook behind the door and left the room.

She suddenly knew she had to act quickly: she raced out of the room, across the passage to the bathroom and locked herself inside. She needed to be alone in a hot bath.

Albrecht opened the door to Reva Marie’s room and went over to the sleeping child. He sat on the edge of her bed and gently woke her.

‘Oh, Daddy, is everything alright?’

‘Yes, Sweetie, everything’s fine. Where’s that little girl?’

‘She’s sleeping at Grandma’s. It was quieter over there.’

‘I see. Did you say your prayers?’

‘Yes, Daddy.’

‘Good girl.’

‘Go back to sleep.’

‘Yes, Daddy,’ and she snuggled down, and he tucked her in.

In the small hours of the morning, unable to sleep, Albrecht with his dressing gown loosely over his pajamas walked into the kitchen. The only light was the little cooking light over the stove in its bricked arch and the glow of soft coals through the stove grate. The fire in the stove never went out. His wife, in her nighty, was standing, barefooted, next to it spooning mutton stew into her mouth from the big pot. He walked up behind her. His hands twitched because he wanted to hug her but was afraid to, because of where it might lead.

‘Freda,’ he said softly.

She turned around and looked at him. She presented him, his mouth, with a spoonful of lukewarm mutton stew. He opened his mouth and she put the heaped spoon of stew in it. A bit of gravy dribbled down his chin as he chewed. She used a finger to wipe it off and then sucked it.

‘You were going to leave me,’ he said gently.

‘Treat me like a wife and I might stay.’

‘You have to pray for forgiveness.’

‘What I pray for is my own concern. As is yours.’

‘I’m sorry I hit you.’

‘Well, that’s a start, I suppose,’ and she turned back to the pot of stew and reached in for another spoonful. He leaned into her and sniffed her hair, closed his eyes, but wrapped his dressing gown more firmly around his body. She chewed the meat, savouring its earthy taste, turned off the stove light, put the spoon in the sink, and walked to the door; she stopped, turned, looked at him in the gloom of the streetbright from Torrens Road through the kitchen window, and left the room. He couldn’t see her eyes. Albrecht Meier didn’t know what to do. He stood there for a moment confused and hating it. Eventually, he returned to the living room but saw that the blanket and pillow had disappeared. He breathed a sigh of relief and walked to the bedroom, lit only by her bedside lamp. When he entered, Freda was putting the blanket back onto the top shelf in the wardrobe. His pillow was back in its place. He took off his dressing gown and hung it on the hook behind the bedroom door. Freda was getting into bed and then he did. She turned off the light. They both lay there staring into the dark. Not touching.

‘We are doing good. We are blessed with two incom …’ Freda imagined she could hear his brain cogitating, working against her; It’s all she could expect. ‘You must ask for your job back. You are respected there. You told me. You get bonuses more than the other women. That bloke. He lied to you. Whatever he promised. He lied. He owes you. Get your job back. Another two years. Another two years and we’ll have enough. Enough to do something … do something … something … grand.’ Freda couldn’t see his lips as they lovingly formed that word and the satisfaction of it in his eyes; all she heard was the hollow sound that word made in the dark. Grand. He, nor she, had ever used that word, would never use that word. It was a book word. A word that sounded like a foreign language. He lay there welcoming the earned sleep he could feel was so close and imagining all kinds of what that word, grand, could be, and he prayed that whatever that word could mean it would someday be something in front of him that he could see and call his and know that God had given it to him. Because he was a good man, and he was soon asleep.

She rolled away from him wondering how he could sleep so quickly and so well when her mind was all awash with broken promises, mutton stew that needed more salt, and men who looked, really looked at her. She so wanted another hot bath.

7

On Saturday morning, Albrecht got out the push-me lawn mower and pushed it all over the front lawn. He did most of his thinking while pushing the thing. The boys, forbidden to go to cricket practice and under strict instructions, were pulling down the pigeon coop on the side of the chook house. The remaining birds flew in some confusion and rested on the chook house roof cooing, pacing, and watching their home disappear. Freda and Reva Marie were doing the washing; Little Joan watched on intrigued; boiling the sheets in the copper; hearing the machine chug-chug; she watched in amazement as the cube of Ricket‘s Blue dissolved in rivulets of ultramarine between the folds of linen in the final rinse; and then Reva Marie feeding the whites through the wringer as Freda turned the handle with one hand and wiped her brow with the other. It was a modern process. Meanwhile Albrecht pushed the mower and thought what to do.

Over lunch of cold meat, left-overs, and buttered bread, after Albrecht had said grace, he laid out the plan for the rest of the day. Little Joan wasn’t listening but was trying hard to get the tomato sauce out of the bottle onto her plate but got it on the tablecloth and her cardigan instead. She tensed with terror, but Reva Marie just licked a hanky corner and tried to get the stain out but made it worse. Albrecht talked over this little girls’ domestic drama. The boys could go to the pictures at the Odeon on David Terrace for the Saturday afternoon matinee. The two of them nearly whooped out of their chairs but rules about children remaining silent at the table kept them relatively quiet again. Their eyes bulged with pleasure, but soon died: they had to take Reva Marie and Little Joan with them.

‘O-w D-a-d!’ escaped from Reiner, Lowden’s mouth fell open.

Albrecht cried through gritted teeth, ‘Quiet!

Little Joan winced.

‘And you, Reiner, Lowden, will look after them,’ he added. ‘Understand?’

‘Yes, Dad,’ said the boys like robots.

And Freda knew exactly what was going to happen. Albrecht wanted to know all about Bill Karras and the suitcase. They would be alone together for at least two hours.

Albrecht got the Sunshine Powdered Milk tin from the mantlepiece and watched the boys as he counted out the coins: what was the boy’s money was now his money. He counted out enough for four tickets, and extra for four Amscol Ice Cream Dandy cups, and without the boys knowing he added an extra two sixpences and placed the handful of coins in Reiner’s hand. ‘You’re the oldest, Reiner, and you now have responsibilities. Do you understand?’

‘Yes, Dad.’

‘Good.’

‘And Reva Marie,’ said Freda, ‘get another cardigan for Little Joan. I’m sure Grandma has plenty in that box of hers.’

‘Wait!’ said Albrecht to stop the children shifting off their chairs; don’t you know what has to be done? He lowered his head, folded his hands, and closed his eyes, as everybody else did; Little Joan was a little slower and not yet used to the ritual. ‘We thank You, Lord for this our food and health and life and all that’s good.’

‘Amen,’ they chorused.

‘Ah men,’ said Little Joan.

And the children rushed from the table.

‘And comb your hair!’ called Albrecht after the boys.

Freda started clearing the plates.

Reva Marie and Little Joan ran to Grandma’s house next door. Bertha Weiss was cutting up kuchen and wrapping the large pieces in a damp tea towel before putting one in the fridge and some in a cake tin.

‘Hello Grandma!’ said Reva Marie.

‘Hello Grandma!’ said Little Joan.

‘Good day to you young ladies,’ said Grandma dusting her hands together which was a habit of hers.

‘We’re going to the pictures?’ said Reva Marie with some excitement.

‘What’s the pictures?’ said Little Joan?

‘You’ll see!’

‘It’s not like your father to take you to the pictures on a Saturday,’ said Grandma.

‘The boys are taking us. Dad said.’

‘Are they now? Will, Little Joan, you can’t go out with that stain on your cardigan.’

‘Mum said you might have another one.’

‘I see.’   

And just then, Freda came into the kitchen and said, ‘Just a minute, Little Joan. Give me that cardigan, please. I’ll get that stain out while you’re out.’ She was looking for things to do this afternoon.

‘Are you sure, Freda, the boys can look after them?’ asked Grandma as Reva Marie helped Little Joan take off the stained cardigan.

‘Albrecht seems to think so.’

‘I can look after Little Joan,’ said Reva Marie.

‘I’m sure you can,’ said Grandma, ‘but who’s going to look after you?’

‘Me!’ said Reva Marie confidently.

‘Yes, because you’re such a big girl all of a sudden. Now take Little Joan to the garage and find her a clean cardigan.’

‘Yes, Grandma,’ and she took hold of Little Joan’s hand. ‘Come on.’ They left the kitchen. Freda turned to go.

‘I want to talk to you about Little Joan,’ said Grandma forcefully to stop Freda leaving.

‘What for?’ she said matter-of-factly.

‘I think it best that Little Joan comes to live with me,’ said Grandma in her mother-knows-best voice. Freda’s face took on a look of disdain.  ‘She can have her own room and here it’ll be much quieter for her. I can only imagine what was going on in your house yesterday, she ran over here, away from heaven knows what! Here I can give her the Christian guidance she needs. I hate to think what other horrors she ran away from.’

Freda said, even before she realised that she had, ‘Still collecting other people’s children I see.’

Bertha Weiss, like a knee-jerk, slapped her daughter’s face. ‘Don’t be so ridiculous, Freda! That mouth of yours will be the end of you, my girl.’

Freda, with thunder on her brow and a hand on her cheek turned to go.

‘Wait!’ called her mother.

Freda took a deep breath and turned.

Bertha Weiss handed her a large piece of Kuchen wrapped in a damp tea towel. ‘Here.’

Freda knew she now was obliged to say a polite ‘thank you’ as any good daughter should. She hated being polite to her mother and so wasn’t. She snatched the cake and left the house.

‘Acht!’ said Bertha Weiss with disgust.

*

Reiner and Lowden Meier walked together on the outside of Reva Marie and Little Joan, as they had been taught to do, to protect the girls from speeding cars sending waves of dirty water all over them. But it hadn’t rained in twelve days.  Reva Marie wore a pink and white dress with smocking around the top that Grandma made; Grandma made all her clothes. Little Joan had two dresses now, so she wore the cleanest one. Grandma thought spoiling little girls was wrong: little girls needed discipline and to know their place. But as soon as they turned left from Torrens Road into David Terrace and out of sight of the house, Reiner bolted ahead shouting, ‘Come on Lowy!’

‘Tossa!’ yelled Lowden.

‘What?’ called back Reiner who stopped and turned, several yards ahead now walking backwards.

‘We have to look after the girls! Dad said!’

‘Yeah, I know, but we will. We will! But first come and see if Bandy’s there.’

‘We gotta stay with the girls,’ said Lowden walking nicely with his sister and Little Joan.

‘Don’t cha wanna see what’s on?’

‘We’ll know soon enough,’ said Lowden

Reva Marie was amazed. Lowden was standing up to Reiner and Reiner wasn’t liking it. Lowden and the girls were almost up to where Reiner was, and the boy looked like he had ants in his pants so eager was he to get to the theatre and see what was what.

‘Reva can look after Joany, can’t ya Reva?’

‘Dad said we had to!’ shouted back Lowden. “We’re in enough trouble this weekend without gettin’ in any more.’

‘Jesus Lowy! Hey! Look! There’s Jock Cunningham! Come on. Lowy, he wants to be our mate!’

‘Give us our money, Tossa!’ yelled Lowden.

‘Dad gave it to me coz I’m the oldest.’

‘Yeah, well, if you’re running off by yourself ya gotta give us our money.’

‘Oh, bloody hell, all right.’ And Reiner reached into his pocket and handed over some coins.

‘And for the dandies!’ demanded Lowden.

Reva Marie looked up at Lowden with much admiration. She’d never seen him like this before.

But that’s when Reiner noticed that there was a shilling more than expected. His face lit up.

‘What?’ said Lowden.

‘Nothing!’ said Reiner quickly as he pocketed the coins he had left. ‘You’re a chum, Lowy. You can look after the girls. I’ll see ya there,’ and off he ran.

‘Save us our seats!’ Lowden yelled after him.

But he yelled back, ‘Bars the seat on the end!’

‘Wow, Lowy,’ said Reva Marie.

‘What?’ he said.

She took his hand.

‘Don’t hold me hand,’ he snapped. ‘Come on!’

They walked towards the crowd of teenagers and kids outside the theatre all separated into groups by age, clothes, gender, and religion.

‘There’s Beryl Cunningham and Josie Black, Lowy,’ said Reva Marie. They like you.’

‘What?’ said Lowden with a worried face. ‘But they’re Catholics!’

Lowden was used to all the girls flocking around Reiner, well that’s what happened when he was with him. Reiner was the popular one, the cocky one; he hadn’t ever thought girls wanted anything to do with him, but he was an attractive boy, tall and dark, and soon to be a handsome one. Anyway, that’s what Josie Black thought.

‘Hello, Beryl, Josie,’ said Reva Maria.

‘G’day Reva,’ said Beryl, an elegant girl with hair like Judy Garland. ‘Hello, Lowden,’ she said shyly.

‘Hello, Lowy,’ said Josie, who Reva was sure was wearing lipstick, and not as shy as Beryl.

‘G’day. G’day,’ said Lowden awkwardly.

‘Can we sit with Beryl and Josie, Lowy?’ asked Reva Marie.

‘Yeah, Lowy, we’d like that,’ said Josie, smiling up at him.

‘Sure would,’ added Beryl.

‘Dad said I have to sit with my sisters,’ said Lowden.

Little Joan looked up at him as if he were an angel.

‘Yeah,’ said Beryl Cunningham, ‘that’s what we mean. We can all sit together.’

‘Oh,’ said Lowden, a little confused about what that might mean. ‘Er … well as long as we leave a seat for Reiner.’

‘He won’t sit with us, Lowy,’ said Reva Marie.

‘Well, Dad said,’ is all Lowden could say.

‘Come on then,’ said Beryl.

‘You can buy me a Dandy, Lowy’ said Josie.

And like it would be for the rest of his long-life Lowden Meier did whatever the girl he was with wanted him to do.

They bought their tickets and found seats on the aisle. Lowden made sure he left a seat for Reiner even though he was nowhere to be seen, but when the usher in his jacket and a pill cap, epaulettes, and a tray of Amscol Dandy ice creams came by, with hot ice spewing dripping smoke down on the floorboards Lowden stood up and went to the aisle and bought as many Dandies as he had money for. When he turned around to the row Josie was sitting in Reiner’s seat. He didn’t know what to do but Josie took a Dandy saying, ‘Thank you very much Lowy. You’re a real gentleman.’ As he sat down next to Josie, he gave the other dandies to Little Joan and Reva Marie, but she said into his ear. ‘It’s alright Lowy, you have mine, I’ll share Little Joan’s, she can’t eat a whole one.’

There was nothing for him to do but take the ice cream as Josie Black snuggled into him as the lights went down and the theatre was filled with cheering, catcalls, and the soft whoosh of Jaffas flying through the air and their tumbling rolling on the floor under the seats. The noise was deafening. Little Joan shrunk with worry in her seat and hid under Reva Marie’s arm. She had never been in a place like this in her entire short life.

And then out of the darkness the screen filled with grey and white light and loud trumpity music.

First up was a newsreel which was not very popular at all. Boos and yells filled the air. Post war building projects, farms with acres of carrots or beans, and new power stations were not of interest to anyone. A number of scuffles broke out up the back and Lowden was nervous with concern for Reiner and kept looking around for him.

But then coloured lights and different music filled the theatre, jolly and loud and Little Joan was enthralled on a completely different scale. The colours reflected in her dark pupils of her wide-open eyes.

It was a Tom & Jerry cartoon with Jerry the cheeky mouse bamboozling and thwarting Tom the cat at every turn. Every time Tom was squashed against a wall, stretched around trees, flattened by a steamroller, or tied in knots with a garden hose the crowd screamed with delight. The victories of the little guy sank sweetly and early into their mushy brains.

At interval when the lights came up there were children running everywhere. Ushers and Usherettes were kept busy selling ice creams, sherbet bags, lolly bananas, musk sticks, and White Knights bars. Beryl surprised everyone with a bag of raspberry jubes which she passed around.

When the lights went down again, another barrage of screams and shouts of approval filled the room and there was a moment of complete darkness; Little Joan shrank even lower in her seat, but then a man in a red suit in a spotlight appeared on the stage with a microphone and said in a sing-song voice, ‘Is everybody happy?’ and a thundering ‘Y-e-a-h!’ deafened little ears. Little Joan stuck fingers in hers. ‘Are you all going to be good?’ asked the man in the red suit. ‘Yeah,’ said most; “Ooooooo!’ chanted the oldest mob; ‘Maybe,’ said a few; and then the whole lot laughed, and all the seats swayed and creaked. The man in the red suit called out ‘Quiet Please!’ and he got a clamorous echo back ‘Quiet Please!!’ and lots of hooting and laughing. The man in the red suit just stood straight and waited. And waited. And waited. And the audience finally quietened knowing that the picture wouldn’t start until it did. Finally, the man signaled to someone up the back and his spotlight went off and the screen was filled with grey light again and ‘Buster Crabbe The King of the West’ in glorious black and white (Hooray!) with loud music of trumpets and drums, and then the title filled the screen ‘in Ghost of Hidden Valley’ which caused more cheering and hooting.

The story was simple: an Englishman, Henry, comes to take up his inheritance of Hidden Valley Ranch not knowing that, to the locals, it’s haunted and because of the local superstition a local farmer, Dawson, and his rustling gang are using the abandoned farm to keep their stolen cattle. Henry catches the eye of Dawson’s daughter who knows nothing of her father’s dastardly deeds. But Billy, Buster Crabbe, and his sidekick, Fuzzy, come to the rescue. The good guys wear white hats, and the bad guys wear black hats; there’s fist fights, (shouting and cheering), gun fights (more shouting and cheering), a kidnapping (Oh no!), a little romance (Ooooooooo!), a little comedy, (He’s behiiiind you!), but no Indians! This didn’t go down too well with the older boys in the audience who got restless, and scuffles broke out; boys chased boys up the aisle and the brouhaha grew.

Lowden heard in the dark, ‘Hey! Lowey!’. It was Reiner. ‘There you are! Come on, Lowey! That bloody what-not Morrie Dickson needs a thumpin!’ and he tossed his blond curls out of his eyes with a flick of his head.

‘Hello, Tosser,’ said Beryl Cunningham leaning forward. ‘We’ve saved you a seat,’ she loudly whispered.

‘Come and sit-down Tosser. We’ve gotta look after the girls,’ hissed Lowden.

He threw a limp smile back at Beryl. ‘Nah, Lowey! Girls are girls. Come on, ya gotta back me up. Shit!’ and he ran off as a pair of boys lumbered out of the grey darkness and chased him further back into the dark at the back.

‘Don’t go, Lowey,’ urged Reva Marie.

‘I gotta, Reva. He’s me brother,’ and he dashed out of his seat and into the dark.

The raucous continued until the noise of the film was drowned out by the noise of the fight: screaming girls and breaking wood, thumps and blows. Kids stood up and moved to the back so see what’s what. There was shouting and cheering but not at the action on the screen, but at the action at the back in the dark. 

Little Joan was scared enough at the gun shots from the screen but now she started to cry at all the noise so close as she didn’t understand what was happening.

‘Come on, Joan,’ said Reva Marie, ‘we’d better go,’ and she led the little girl along the row.

‘Don’t go Reva,’ says Beryl, ‘it’s just boys being boys.’

‘Little Joan needs the toilet,’ said Reva Marie, ‘We won’t be long,’ and she said a little prayer for the lie and got to the aisle and out the side ‘Exit’ door. As the hand-in-hand girls hurried down the side street and reached the corner of David Terrace they saw a police car pull up outside the theatre.

‘Oh no!’ cried Reva Marie.

‘What’s wrong, Reva?’ said a worried Little Joan.

‘Don’t you worry. We’ll just walk home and then everything will be alright,’ but she had to wait until all the policemen got out of their car and … Reva heard a noise and looked back down the lane to see girls and kids rushing out of the theatre into the lane. ‘Come on!’ and Reva Marie tugged at Little Joan, and they hurried past the front door hearing shouts and crashes as they went.

Reva Marie couldn’t go as quickly as she would’ve liked but as they hurried home as fast as Little Joan’s little legs would let them, Reva Marie was thinking fast. When they got to Grandma’s house she stopped, bent down to the little girl’s worried face and said, ‘Now, you just go into Grandma’s and tell her that the picture was a bit scary, so I brought you home. It was a bit scary, wasn’t it? All those guns and that,’ and Little Joan nodded her head remembering it all far too clearly. ‘That’s right, that’s right. That’s the truth so there’s no need to tell her about the boys. Alright? Because you were really scared about the noise and the guns,’ and Little Joan nodded her head again. ‘Good. So just go inside and tell Grandma about the scary noise and the scary picture, alright? I’ve got to see my Dad about something important, so you go on now,’ and she let go of her hand and Little Joan walked up the driveway confidently knowing exactly what she had to do, and she disappeared into the shade of the hanging down grapevine.

Reva Marie hurried to her house but when she got to the back door she could see through the flywire door; there were her mother and father sitting opposite each other at the kitchen table looking like they were having a serious conversation; no-one was talking but they were sitting as if they had or would very soon. She went to her playhouse. Her father had built it for her a year ago. She walked inside because that’s where she did her really good thinking about things and she had a lot of thinking to do at the moment. Her doll Molly in her pretty blue and white dress was lying in the dust amid a few pigeon feathers looking rather dishevelled and all her tea-set things were not how she had left them: neat and tidy. The boys had been in here.

And that reminded her. Reva Marie remembered what she had seen through the little playhouse window a few days ago: Reiner. She was going to say something like ‘What do you think you’re doing in my playhouse? It’s only for me, Dad said!’ but before she could say anything she saw what he was doing. She saw him from behind. He was sitting on the ground with his legs stretched out in front leaning against a post and had Molly in both hands and he was jigging her up and down on his lap. Reva Marie had no idea what he was doing but she thought it was something very strange and Reiner was making little grunting sounds that Reva Marie did not like one little bit. He was hurting Molly, but Reva Marie sensed that he was doing some boy thing that scared her. She was in a quandary but decided not to say anything.

But now she had something else to think about and she pulled and tugged at Molly’s clothes, smoothing her cheeks, and brushing her dress. She knew it was best to say something to Dad about the boys because he would know something had happened when he saw them; he always knew. Their faces were like the pages in a picture book.

She heard a noise. She wondered how long she had been sitting in her playhouse thinking about Molly and the boys and things. She hurried out and scampered down the side of the house as she heard more noises, the same noises: car doors slamming. When she saw the police car outside the house, the car, the police, and the boys, she gasped and ran back to the back door and into the kitchen. Both parents looked up as she banged into the room.

‘Dad! Something happened at the pictures, but it wasn’t the boy’s fault really it wasn’t it was … erm … it was … er … Morrie Yeah! Morrie Dawson who started it but it got very noisy, and Lowden went to help Reiner but Little Joan got scared because … er … the picture was scary not the fighting or anything but she had to go to the toilet and so it wasn’t their fault because …’ but her wide-eyed outburst was halted by a loud knock knock knock and everyone looked towards the front door. No-one used the front door; everyone always came around the back; no one used the front door except the Jehovah Witnesses and … When Reva Marie heard the ominous scraping of her father’s chair on the lino as he stood up, she ran. She ran back out the back door and over to Grandma’s place, where Little Joan was, where it was safer, and she stayed there for a very long time. 

8

 The Lutheran Church at Cheltenham was a modest peaked roofed single storey building with a simple pale brick façade and in the centre a Christian cross of glass bricks, and a squat faux bell tower. Women in modest hats, gloves, and swaying handbags; men in dull suits with hats in their hands; boys in shorts, shiny shoes with Brylcream in their hair; little girls in lace collars, frilly dresses, and ribbons wandered into the building, greeting everyone, the men shaking hands, the women politely nodding; all sweetness and smiles and Christian fellowship and all belying what really went on at home in the six days between now and when they were last here.

The Meier family was no exception. In fact, Albrecht Meier was the Secretary of the church council and a singer in the choir. His base voice booming out over all the others. On certain Sundays he was also a Lay Preacher reading a prepared sermon when Pastor Dietrich had duties in the sister churches of the broader Lutheran district. They went to church every Sunday with Grandma Weiss in tow, and that particular Sunday with Little Joan as well. She had no idea what was going on.

The interior, in true Lutheran style, was unadorned, as was the liturgy, involving standing-up chanting and singing and sitting down listening. The hymns were simple tunes in a narrow vocal range as they were sung by non-singers; a lot of them written by J. S. Bach and some by Luther himself. The sermon was the highlight of the service, but only in structure, not in enlightenment. Albrecht tried to listen to understand the sermon, to find its relevance, as was expected, but it wasn’t easy; Freda rested her eyes and counted her grievances; the children quietly fought over the Fantales Freda kept in the bottom of her handbag among the hankies, peppermint Lifesavers, lipstick, and lint for the specific reason of keeping the kids quiet during the Sunday service. At least they had something to read. And Grandma sat somewhere else, so she didn’t have to put up with her naughty grandchildren. Everything Little Joan saw and heard that day was new for her. When they had to stand for the praying bit Reva Marie bent down to Little Joan and whispered in her ear, ‘Just close your eyes and think of all the things you would like to happen and if you’re a good girl they will.’ Freda turned and looked at Albrecht whom she knew was praying for forgiveness for his weakness of the flesh, sure that his gently moving lips were sending prayers about her to heaven and hating it. Freda just prayed for plain old understanding. The children mostly prayed for the sermon to finish, when they would leave the adults and attend Sunday School in the little church hall behind. Little Joan went too, tottering along holding Reva Marie’s hand and wondering where they were going now.

To Albrecht, God was as part of his life as his right arm and the Church was at the centre of that part of his life. Family life was too complex and undulating with difficult decisions and compromises that unnerved him. But the Church was secure and never-changing. It gave his waking hours structure and solid boundaries within which he felt safe. The meaning of life, the moon, communists, atoms, aeroplanes, and algebra held no mystery for him because he had God in his life. 

Freda, also believed in God, unfathomable though he was, but she couldn’t for the life of her quite believe that he was interested in the daily goings-on of little people, especially within a marriage that she had been taught was a God-made arrangement. Her attempt to free herself had failed. She felt her husband had failed her and Bill Karras had certainly failed her, but her biggest failure was not to get her way with these men, when she knew that she was very capable of doing so. She didn’t understand this yet as her self-esteem had taken a battering and she felt she was close to giving in. Is this what I get for marrying a Meier? She looked at the cross of light on the wall behind the plain altar and gained no succour from it at all. But she did feel some comfort from her view of all the people sitting around her. She looked at them, the backs of them, their clothes, the men’s combed hair shiny from too much Californian Poppy, the women’s cheap hats, their stories – the ones she knew – and her mouth pouted a little (she wasn’t aware of this) and she raised her head a little higher: she knew she was better than any of them.       

9

So, now, on this Monday morning, walking to the Pope Factory, all that had happened over the weekend swirled around in Albrecht Meier’s brain creating a vortex of trapped problems without any outlet for solutions. Yet, the change in Freda baffled and excited him since it was part of the biggest problem, yet he now realised he didn’t want to lose her, he loved her. He was in love with her, but that concept was unknown to him; he didn’t read novels and the only film he had seen was The Song of Bernadette which was screened a year or so ago in the church hall preceded by a lecture on the Catholic-ness of the story and not to be ‘persuaded’ by it. Despite all that worry in his head his mood was buoyant which was a mystery to him, but he had always been a calm man, a stable man; he’d put it down to his Christian faith. That was his understanding of himself. He had not yet realised that his brand-new connection with his feeling about Freda was why he felt so, so, alive.

When he arrived at the Pope factory in Charles Street, Beverly, he was not late, but late for him. He went straight to the foundry where he operated a pipe press making parts for sprinklers and irrigation fixtures. This had been a promotion for him since during the war the press had been used to make components for munitions, but since his name was a German one, he was not allowed to use it so his promotion had to wait. Technically it wasn’t a promotion, his pay didn’t increase, but he took it as one. The press was already in operation by one of the ‘boys’; the bunch of underlings employed by Pope for £1/6s a week instead of the £6/1s a week, the basic wage for adults. It was because of Pope’s boys that the factory was known locally as The Boy Farm. 

‘Hey! Sooty,’ cried Albrecht, ‘What do you think you’re doing?’

‘Keep ya shirt on, Mr. Meier,’ said the cheerful lad, ‘just getting it warmed up for ya.’

‘Yeah, well, thanks. Now get about your own business.’

‘I’d like to have another go, Mr. Meier, I’ve got the hang of it, real good.’

‘Well, is that so? You’ll be wanting my job, will you?’

‘Maybe not your job, Mr. Meier, but someone’s. Hey! Mr. Meier! Old Grumps’s been lookin’ for ya.’

‘Has he now?’

‘Too right! Cripes! Here he comes! I’m outta here.’ And the young kid, just gone fourteen, disappeared.

‘Morning Meier!’ called Sid Anderson, the foreman.

‘Good morning, Mr. Anderson. How are you this morning?’

‘That’s got nothing to do with you. The boss wants to see you. Soon as you’re here, he said.’

‘Oh, OK. Any idea what’s it about?’

‘How would I know. No one tells me anything around here. I’ll get someone to fill in for you.’

‘Sooty can do it, you know?’

‘Who?’

‘Never mind, Mr. Anderson. It’s not me to tell you your job.’

‘Ain’t that the truth. Get up to the office and don’t be long.’

‘Thanks Mr. Anderson.’

‘Yeah. Right.’

The Administration block was a small two storey brick building near the front gate but dwarfed by the huge corrugated iron foundry behind it.

‘Good morning, Joyce,’ said Albrecht brightly to the woman behind the front desk. ‘Fine day for it.’

‘Hello, Mr. Meier,’ said Joyce Philpot, a neat woman with a suggestive smile. ‘You’d better go straight in.’

‘Oo! Serious, is it? Should I be worried?’

‘Not in the mood you’re in,’ she said playfully.

He knocked on the door behind Joyce and when there was no reply, he opened it and timidly entered.

Jack Simmonds, a small man in a big suit stood behind a huge desk running his hand over his balding head. He looked up. ‘Oh, Meier. Yeah! Come in. Come in.’

‘You wanted to see me Mr. Simmonds?’

‘Yes, I did. Yes, I did. Erm. Something.’ And he rubbed his face with his hands. ‘ … jesus! Something.’

‘Well Mr. Simmonds, while you’re thinking about what it is you want me to do, I’d like to bring something to your attention. You see, my oldest, Reiner, isn’t doing so well at school and I was wondering if there’s a place for him here at the plant.’

‘…What?’ He was searching for something on his desk.

‘My boy, Reiner. He’s nearly fourteen, no, fifteen, I think, and I was …’

‘No no no! Meier,’ and he sighed. ‘Things are going to change around here. We won’t be putting on any more lads. Mr. Pope wants only men on the team. I told him it would leave a great hole in their bottom line, but if that’s what they want to do… Full wages! You wouldn’t read about it. Everyone on full wages! How am I supposed to keep the percentages up? And then there’s this commi-union business going around. Ah! That’s it! That’s it! That’s what I wanted to talk to you about. This worker’s union stuff. Do you know about this?’

‘Yes. A bit. The blokes talk about it sometimes.’

‘How many have joined up, do you think?’ he asked as he still searched for something on his desk.

‘That I couldn’t tell you, Mr. Simmonds. Not an exact number. Some of them have joined up. Archie Mustard’s real keen.’ And that made Albrecht let slip a hearty laugh. ‘Sorry, Mr. Simmonds?’

‘What?’

‘Archie Mustard’s keen … you know, Keen’s Mustard…’

Mr. Simmonds looked at him as if he was talking double-Dutch. He hadn’t noticed Albrecht’s light-hearted mood, so he didn’t get it, but to Albrecht Meier, he surprised himself. Why was he feeling so light-headed?

‘Nothing,’ said Albrecht. ‘You were saying about this union matter.’

‘Yeah, yeah, yeah. Have you signed up? Ya know it’s all commi-jargon shit!’

‘No, Mr. Simmonds, I haven’t thought ….’

‘Good! Good! I want you to keep your ears open, Meier, in there on the floor. You’re a sensible bloke so I want to know what the men are saying and how many have joined and who’s stirring the shit. You get what I mean?’

‘You want me to spy on them?’

‘No no no! Nothing like that. I just want you to keep your eyes and ears open. I need to get a hold of this union thing before it gets out of hand.’

‘You think it’s going to be bad for business?’

‘You bet I do! Damn right I do! Already we’re on the path to full adult wages and with a unionized workforce they won’t stop with that! They’ll be wanting more money. You mark my word.’

‘Well, Mr. Simmonds if the workers get more money, you’ll have a bunch of happy blokes, I reckon. Can’t be too bad.’

‘But what about the blokes that have to fork out more money? Do you think they’ll be happy? Do you!?

‘Guess not, then.’

‘No. Not happy at all. Not happy at all. If this union thing gets a hold, it’ll be the end of Pope! And you heard it first from me!’

‘Right, then. I’ll see … but Mr. Simmonds, erm, wouldn’t it be better for you to talk to Mr. Anderson? He is, after all, the foreman.’

‘No no no! Bloody Anderson’s as thick as a post,’ and then he raised his hand as if stopping traffic. ‘Woa woa woa. I didn’t say that. You didn’t hear me say that. You did  not  hear  me  say  that. Is that clear?’

‘Very clear, Mr. Simmonds,’ stifling a smirk.

And Mr. Simmonds ran his hand over his head again, ‘…jesus christ! Where is that wages journal?’ And Albrecht said a little prayer to forgive the bloke for using His name in vain. ‘That’s all I wanted to say, Meier.’

‘Yes, Mr. Simmonds.’

‘Just keep your bloody eyes and ears open and let me know what’s going on in there.’

‘I understand, Mr. Simmonds.’

‘Back to work. Go go go!’ And he continued his fruitless search.

Albrecht hurried out of the room and as he closed the door behind him he turned to see the compassionate face of Joyce smirking at him.

‘He’ll blow a gasket one day, Joyce.’

‘I’m well prepared for it.’

‘I think you’d better take him in a nice cup of tea.’

It wasn’t until morning smoko, which Albrecht didn’t usually take because he didn’t smoke, but he took it this time to search for Stan Jacobson, that bloke who knew about a place.

By the end of that Monday Albrecht Meier had a plan.

10

After tea that Monday night Albrecht laid out his idea. He didn’t say anything about the reasons – wayward sons, wayward wife, collapsing work prospects – just what he had decided they were going to do.

They were going to be market gardeners. They were going to move to Aldgate and live on a market garden, growing vegetables, keeping chickens and maybe even pigs. It was a well-established property with a house big enough for all of them in a peaceful and beautiful part of God’s world. 

Freda said nothing until the children were out of the room. ‘So, a farm,’ said Freda with a nose that had just smelt a turd. ‘Sounds like a backward step to me. I thought we were moving forward, forward and up.’

‘Well, we’re certainly moving up. It’s in The Hills.’

Nothing was going to deter Albrecht Meier from his vision. A plan was a plan. Their savings were substantial but not substantial enough to move to a new house and start a business; there were certain to be renovations, extensions, additions. His plans were big. That meant a visit to the bank. 

Albrecht kept his money in the First Bank of New South Wales branch in Port Adelaide. Freda had always thought it was not a good choice, New South Wales was another state! What did it have to do with them? – but he told her that it used to be the branch of the Bank of South Australia. She hadn’t thought that sufficient, but he made it sound like the end of the discussion. Besides, it was a very handsome, solid building. The bank was open on weekdays and only on selected Saturday mornings, so an appointment was made at the first available Saturday. The appointment was so important that the couple wore their Sunday best and drove there in the Ford Anglia E04A 2-door saloon.

Mr. Brian Crossley was the bank manager. He was a very expansive well-built man with slicked black hair, a small neat moustache, and an open face. Albrecht was pleased to shake his hand and Freda was pleased to see he had very full lips since she had formed the impression that all bank managers were thin-lipped because in her experience thin lips always found it easier to say no.

Albrecht’s self-confidence was in full flight. Mr. Crossley was very inclusive and kept looking and smiling at Freda as a polite way of including her in the conversation – wasn’t that nice of him? – even though, of course, she was completely silent but sat elegantly in her chair rearranging the folds of her dress over her knees from time to time as she crossed and re-crossed her legs, smiling at Mr. Crossley, and trying not to look embarrassed at her husband’s exuberance. Forms were filled in and Mr. Crossley took their particulars. Albrecht gave him Grandma’s phone number as their service was temporarily out of order, he said. Albrecht didn’t think it wise to tell him they didn’t have one.

It was early the next week, late one morning, when Grandma and Little Joan appeared at the kitchen screen door. Freda was sitting at the table cutting up a Milo tin to make a toilet roll holder decorated with roses made from pieces of pink and yellow foam for the Lutheran Ladies Trading Table which was set up outside the Church every Friday afternoon. 

‘Good morning. Come in,’ she said and returned to her delicate task. Moments later she looked up and Little Joan was standing just inside the door. Grandma was still outside, watching. ‘Why aren’t you at school?’ asked Freda kindly. 

‘I’m a bit sick.’

‘Oh. That’s no good,’ and she wondered why her mother was still outside.

Little Joan turned to look at Grandma who encouraged her with a wave of her hand and a gentle, ‘Go on. Like we practiced.’

Freda understood immediately and returned to her task this time with play-acting attention. ‘And what can I do for you, young Lady?’

‘… I have a message.’

‘Oooo! And who’s sending you a message?’

‘Not me. I have a message for you.’

‘Oh, have you now? And what might that message be?’

‘ … you have to go to the bank.’

‘Do I just? And who said I had to go to the bank?’

This obviously wasn’t part of the practice as Little Joan shrank with indecision and confusion. Grandma came to the rescue and as she opened the screen door and entered, she said, ‘Very good Little Joan. That was very good indeed. Now you know how to deliver a message,’ and then to Freda. ‘The bank rang, and the manager wants to see you this afternoon at three o’clock and what have you been doing at the bank?’

‘Oh, just Albrecht’s business. Something to do with work.’

‘But why does he want to see you?’

‘I don’t know.’

‘Well, you’d better go and find out.’

She did. She couldn’t wear what she wanted to wear as she couldn’t drive, and the Torrens Road tram turned off way before the Port, so she had to walk down David Terrace to the Port Road and take the city tram to Port Adelaide. It wasn’t her Sunday best which was wise since Mr. Crossley had already seen that; it was her second-best dress and hat and her old Sunday shoes since they were the most worn-in and she had some walking to do.

She arrived in good time, very good time, which was just as well as that gave her quite a few minutes to relax and sit on a park bench and fan her underarms with a song sheet she found in her bag. Hymn No. 190, O blest the house, whate’er befall.

She waited j u s t a little bit after three o’clock, popped a peppermint Lifesaver into her mouth, and then hurried to the bank.

The young male assistant, podgy-faced and sweaty – why? for heaven’s sake, since he sat down all day – stood at the door and greeted her coolly and told her with obvious pleasure that they were in closing down mode because there were more than enough customers in the bank to see them right through to closing time and would she mind coming back tomorrow? Freda replied with some uppity pride that she had a per-arranged appointment since Mr. Crossley had sent a telephone message that she was to meet him in his office at three o’clock and as the young man could see by the clock on the wall, it was now three minutes after three o’clock, so he had better show her into Mr. Crossley’s office quick smart.

‘Oh,’ said the young man whose down-turned smile had disappeared completely and been replaced by a look of inevitability. ‘Oh. Then that’s a completely different story. Follow me please.’

Mr. Crossley greeted her politely at his office door by shaking her hand but not letting it go as he led her to the front of his desk where there was a chair. She sat and crossed her legs. He leaned against the front of his desk smiling down at her.

‘Thank you for coming,’ he said, ‘and my Dear, may I say how attractive you’re looking this afternoon, Mrs. Meier.’

‘Well, thank you, Mr. Crossley.’ It had been a very long time since anyone had complimented her in such a way. She liked the feeling of his words. ‘I was hoping your call would be good news. I didn’t expect you needed to talk to us again. Is there a problem, Mr. Crossley?’ asked Freda fully expecting there to be one.

‘No, not really,’ he said as he reached behind him and picked up a manila file, opened it, ‘Well, maybe just a little one,’ and turned a few pages before closing it again. ‘You see, Mrs. Meier …’

And she kept looking at him, smiling softly. His little moustache was really very neat and exotic.

‘… your plan is a very appealing one, but you have not offered any collateral for such a loan.’

‘Oh?’ said Freda, as if she knew what ‘collateral’ meant, ‘and is that the problem you mean?’

‘In a way, yes. But we are in a period of renewal, it must be said, being only a few years after the war, and all fiscal indications tell me that it’s very possible that boom times are just around the corner.’

‘That’s good, isn’t it?’ she asked innocently.

‘Yes, it is, but we at the Bank like to be sure about these things and usually we require some assurance of your commitment.’

Freda had never heard of the word ‘assurance’ before but thought it might have something to do with ‘insurance’ which was a word she had heard of because Albrecht was a good Lutheran Christian and believed insurance was the work of the devil, but she knew there were different kinds, so she asked. ‘And what kind did you have in mind, Mr. Crossley?’

‘Well, … ’ he said as he pushed himself off against the desk and walked past her to the door, ‘ … that is why I asked you here, Mrs. Meier …’ he held his ear to the door for a few seconds ‘… because I thought you may be convivial …’ then turned the key in the lock ever so gently, ‘ … to providing me with some kind of indication of your continued co-operation.’ He was back standing in front of his desk smiling down at her as she smiled up at him waiting for him to continue … which he very soon did.

11

It was just around Christmas, a time Albrecht relished for its attention to God and family. Especially that Christmas because with several Weiss relatives from Neu Heim visiting for the festive season, and staying with Grandma, Albrecht had a lot of plans to divulge with loud pride and, Freda noted, growing exaggeration. He spoke of Brian Crossley, the bank manager, as a dinky-die bloke and a close friend who believed whole-heartedly in the family’s change of fortunes. The country relatives listened with polite patience. Freda busied herself filling their glasses with Southwark beer for the men and Woodroofe’s lemonade for the women and children. That Christmas the weather was hot and dry, as usual, and for Freda it meant hard work, hours of preparation and cooking with only little help from Reva Marie. There was chicken noodle soup – Freda had made and dried the flat sheets of egg noodle dough on the Hill’s hoist – a roast goose stuffed with bread, onions, giblets, and dried currants (a turkey Albrecht thought was too expensive) and a leg of mutton, roast potatoes, and turnips in a parsley sauce, with peas and a tomato and cucumber salad dressed with vinegar and sugar, followed by Christmas pudding – with 7 sixpences to find inside – with custard and caramel butter. There were Freda’s two sisters, Vada, the eldest, and her husband Stan, and Marlene with her husband Martin, plus Uncle Lorrie, the youngest of Grandma’s children, unmarried, and Reva Marie’s favourite uncle, but the smallest. In fact, he didn’t look like any of his siblings, but Grandma was devoted to him. Freda seemed indifferent. So, eight adults crowded around the kitchen table – extra chairs from Grandma’s – with the seven children, Vada’s two girls, neat and stuck-up, and Marlene’s spoilt brat of a boy, with Reiner, Lowy, Reva Marie, and Little Joan also crowded around a wobbly-legged card-playing table. Reiner, being the oldest, was supposed to be in charge of the children but he was the most childish and boisterous of the lot of them – he kept brushing his legs against the girls under the table and pinching them when he could- so it was Reva Marie who tried to keep the peace and everyone quiet at the table: children were not allowed to talk during meals. Little Joan was beside herself with happiness. 

After the heat of summer, family niceties, and hectic Christmas sociability the afternoon festivities wound down to lethargy and exhaustion. By five o’clock everyone was laying down somewhere near a fan, on cool grass, or under a wet towel. Freda was in the rarely-used front room lying on the couch of the eucalyptus design, her shoes off, eyes closed and wanly waving a handkerchief across her puffy face. She thought she heard a faint noise and opened her eyes. There stood Lorrie.

Yes, he was a small man with a nose seen nowhere else in the family. He leaned down towards his sister. ‘Freda,’ he said softly. She could smell his beery breath. ‘I need to talk to you.’

Freda sat up forcing him to stand straight. She was not going to indulge his sneaky tone. ‘Lorrie! What can I get you? Would you like a cup of tea?’ she asked breezily.

‘No.’

‘What then?’ Her patience, like his, wasn’t strong.

‘Answers,’ he said and promptly sat down on the rug next to the couch. Sadness – or was it beer? – melted his face to a hangdog look. He said to the thin carpet, ‘I don’t know how to start.’ He looked up and said bluntly, ‘I know I’m not Mutti’s son; I’m not your brother. Look at me. I look nothing like her, nor Pa when he was alive.’

Freda looked at him.

‘I need to know … is it Vada? It’s Vada isn’t it?’

Freda continued to look at him keeping her face as calm as possible.

‘I see her looking at me sometimes, like she doesn’t know who I am. And then she smiles as if she’s just woken up or something. She’d like to have a son. Her girls are so, so weary.’ He kept looking at her.. ‘Is it?’

Freda said nothing.

‘Marlene then. She must’ve been very young. She treats me like a son sometimes when her own son looks like wearing her into the ground. I look nothing like Martin, but then I suppose it had to be someone else, some family visitor. Or stranger. Is it? Marlene? … Freda?’

Freda said nothing but she couldn’t control the water in her eyes.

‘… oh Freda.’ And Lorrie’s eyes too filled with a mist.

Freda quickly leaned forward, blinking away her tell-tale tears. She hated tears. She grabbed his face in her two hands. His mouth puckered like a clown.

‘Lorrie! Lorrie! You are my brother. You will always be my brother. Everyone wants to be told they are adopted or belong to someone else. Someone richer, someone nicer, someone who lives in an interesting and cooler place far far away. It’s a game we all play with ourselves. But it isn’t real, Lorrie. We’re stuck being us. We just have to like it and lump it. Shitfull isn’t it? You’re just a little drunk and feeling sorry for yourself. Don’t let Mutti catch you like this. You don’t need answers. You need a cup of tea.’ She got up forcefully, almost pushing him back. She walked to the kitchen picked the gently boiling kettle of water that always sat at the back of the stove even in the summer. She carried it to the sink and poured the scolding liquid all over her wedding finger on her left hand. She screamed and screamed. Anything was better than crying.   

12

Once the relatives had left it was straight into packing for the move to Aldgate in the Adelaide Hills: the modest mountain range that kept the flat little city of Adelaide squashed against the coast of St Vincent’s Gulf. The Ford Anglia E04A 2-door saloon was traded in for a 1927 Chevvy truck and very early one Saturday morning in mid-January, along with a hired moving van with a driver and his mate, the family set off for their new life. Little Joan and Reva Marie were crying at their separation from each other although Reva’s distress was heightened by having to leave her playhouse behind; Grandma, with terse lips, waved them goodbye; Albrecht, with his rosy future in his eyes, sat behind the steering wheel; Freda sat stony-faced in the truck cabin next to him drying Reva Marie’s tears while the boys sat under the kitchen table with many-shaped boxes, furniture, and other household stuff in the back of the Chevvy truck. They were sternly instructed to be good, and they could only tap on the rear window if there as a very very good reason. The boys understood that the only very very good reason for tapping on the rear window was imminent death. The trip was uneventful except that Lowden peed his pants much to Reiner’s thigh-slapping derision.

Albrecht’s obvious elation at the decision he had made kept Freda quiet for the entire trip except for short brisk answers to Reva Marie’s questions. She sat squeezed next to the passenger window, nursing her still bandaged left hand with Reva Marie sitting between her parents keeping them apart. Albrecht was happy to chat away, if only to himself, about his plans for the property: extensions and developments, his plans for the boys: hard work and discipline, and his plans for all the money he was going to make: a bigger truck and a foray into pigs. Pigs were profitable; they ate anything. Freda hadn’t seen the place yet so didn’t know what he was talking about. But he was content. He’d managed to keep his wife and family together and he had them all in his new truck on their way to their new life. He was in control, just like a Christian man, a husband, and father should be. And his new truck’s engine ticked over confidently.

What he didn’t say, nor completely understand, were his vague plans for his wife: fresh country air, a retreat from city temptations, the weight of family and wifely duty, consolidating her place, and therefore her consequential reliance on, and obedience to, him. If he were asked to articulate all of this, he would’ve combined them all, like cake-ingredients, into a simple phrase: ‘a new start, God willing’. 

The moment Glen Osmond Road left the Adelaide Plain, the sparsely settled suburban rim, and started to rise into the foothills Freda felt her stomach turn and her sense of self slip behind her and be left behind.

She was a woman of the plain.

She heard the engine work harder, its tone rose like the road, and like the road twisted and turned, snaked through dark tunnels of trees that mildly scared her and every time Albrecht changed down a gear her apprehension thickened and churned her up.  And every time the road dipped, the truck sped down, the engine sighed with relief, but Freda did not.

Isolated houses, people’s lives, slipped past but hidden by trees as if ashamed of themselves; she felt eyes she couldn’t see spying on her and judging her before returning to their unsmiling tasks; tasks and similar places she would soon discover no doubt. She knew there were women in those houses. If they were once like her, what were they now?

Her attention on the road ignored Reva Marie’s questions, her little voice disappeared to the woman until she heard nothing but the rise and fall of the engine’s noise which morphed into what seemed like a conversation. It was ominous, challenging, but hypnotic. As if two voices. An angry duologue. Alluring but frightening. She tried desperately to understand the words in the hope of gaining some meaning for what she was doing, where she was going, but although the noise was deafening the meaning remained allusive.  

Then she became annoyingly aware of her husband’s excited babble, his belief in himself as loud as the engine, revving with excitement and then with ominous expectations, as the truck laboured up an incline, and then babble again as the vehicle happily freewheeled into a short valley. His monologue did nothing for her but forced her to sit and be quiet, like Reva Marie had become, and be taken away.

She was a woman of the plain.

But now, the plain, the city, and her past were behind her. She felt powerless, lonely, and afraid of the future. And as a tandem to her husband’s buoyant and excited chatter the monologue going on inside her head was depressing, scathing, and feverish, all playing into her victimhood: a crutch she leaned on for support like a mentor but which no one understood. There was only one way to describe how she felt: she was being taken away.

The Weiss family didn’t hear much about the Hills even though the Meter’s still attended the Cheltenham Lutheran Church. The long drive there and back in the truck cut short any pre or post service conversation. Anyway, something happened up in the Hills, and the result surprised everyone. Whatever it was, it’s history now. But on the 27th of September 1952, eighteen months after leaving the Adelaide Plain for the Hills, I was born.

The Boat by Nam Le

Vietnamese-Australian writer, Nam Le

The thing is not to write what no one else could have written, but to write what only you could have written.

When this book came out in 2008 the Australian literary scene lit up! The collection of longish short stories heralded a major new writer of extraordinary scope and skill. He was 27.

The first story, Love and Honor and Pity and Pride and Compassion and Sacrifice is as one would expect. The narrator, Nam, a Vietnamese Australian living in the US and studying writing at the Iowa Writers Centre is hosting his father, a Vietnamese war veteran whose relationship with his son has been fractious. It is now better but still not grounded and never easy. References to the other stories in this collection make this first story work like a preface to the book itself. When Nam, then a lawyer, told his father that he was quitting his job in Melbourne to go to Iowa to become a writer his father said ‘The captive buffalo hates the free buffalo.’ He was prone to talk in proverbs.


His description of peak-hour traffic: it’s rinse of noise.
His smile was as stiff as his suit.
… their amusement, coughing it around their circle like a wet scrap.


The second story, Cartagena, is set in Colombia and is very unexpected. It knocks your socks off!
The syntax is simple, no contractions, the occasional use of favela Spanish, restricted punctuation – no quotation marks, and a recurring misuse of a verb: ‘Luis, who had the same age,” makes it sound like a mistranslation. All these grammar tricks conspire to give veracity to this 1st person narrative. It feels authentic, belying the fact that the author is not a young Colombian thug, but a young Vietnamese Australian. The narrator is Juan Pablo, fourteen and a half years old, a sicario – hitman – who has been obedient, a faithful soldado and loyal to his agent, El Padre, except recently. He did not make his last hit. He said he could not find him. He lied to his agent whom he has never met. The hit is his best friend, Hernando. Juan Pablo is in deadly trouble. He knows this because he has been summoned. Everyone knows this can only mean one thing. No spoilers here but, well, a devastating climax. It was this story that was scorched in my brain from my first reading over a decade ago.


And then comes Meeting Elise. A completely different tone, more traditional grammar and another 1st person narrative: a middle aged artist whom women leave and who’s having trouble with hemorrhoids and colon polyps. He fucks things up by talking too much, mostly the truth, he reckons – too much verbiage, too much booze. He’s getting ready to meet his long lost 18 year old daughter, a musician, whom he hasn’t seen for 17 years. He’s exhilarated but scared, sorry but expectant. It all sounds like the work of a different writer.


Halflead High
This story is a 3rd person coming of age; a coastal high school student full of raging hormones, adult disappointments, and life getting in the way; an ill mother, high school jealousies, loves, lusts, and betrayals. It’s touching, recognisable, and insightful. 


His mother was dying and seemed torn between ignoring it and rushing towards it.


It’s lines like this, and those above, that for me cements a writer’s worth. Something clicks in the reader – it did with me – simply stated but describes an unrecognised truth made manifest in a line like that.

Story No. 5 is a 1st person narrative: this time a young Japanese girl in an evacuation centre sleeping “four mats away from the radio”. She and all the other children scrub the wooden floors of the temple till they shine and press their hands together for the glorious Imperial Forces who fought the reviled enemy China and now the cowardly enemy, America. Soybean rice with mugwort grass is better than pounded rice cakes. Do without until victory.  Honorable death before surrender. It’s the last days of the war. The text is dense, no delineated dialogue, just a stream of consciousness from a little girl. Short, plain sentences. Present tense. Subjects jump around: scrubbing floors, running during exercise, Big Sister, Mother covered in dust, rice soup, Imperial heros, the wind, the loud warnings, Big Brother who has gone to Confidential Place, sore knees, the sounds of  B24s, or is that a B27? cicadas, hunger. The rabbity mind of a little girl, named Little Turnip. The title, Hiroshima, is ominous.


The 6th story is the least successful; Tehran Calling follows a young American woman travelling to Iran to see her old university friend only to be caught up in youth unrest, Iranian hypocrisy, and self-deception. However, the syntax and form is different from each of the other stories. It’s as if Le is searching for his voice, his tone, his style, the work he feels most comfortable with. But astoundingly each story has a style that is different but authentic, authorial, with weight and verisimilitude.

Style is everything. Style is eye, window, and view. And, of course, when it serves its purpose, style is beside the point, is rightly subsumed by subjectivity and subject. Perhaps the handiest definition of literature is language where style and subject are inseparable. (2021) He certainly proves it.

‘Why do you write about Colombians, Japanese, and Iranian girls? What about us!” says his father in the first story. So he does.

The last and title story, The Boat; I was forced to schedule daytime reading time for it. Reading it before sleep was impossible. The opening scene of the view from the crowded bilges of an unstable refugee boat on the very high seas is terrifying. In appalling, almost unimaginable conditions where bodily functions are just part of the boat’s geography. Drinking water is rare and hallowed; human relationships based on nothing but instincts. A little boy obsessed with counting heads after every splash overboard. A little boy, like an old man squeezed within a skeletal frame.

It was a face dead of surprise. 

The range, skill, and boldness of these stories is breathtaking. Seventeen years ago a novel was eagerly anticipated as if short stories weren’t somehow good enough. How stupid is that? If Le writes nothing ever again what he has written here will cement his name in Australian literature as a voice to be honoured. Along with Tim Winton’s Cloudstreet, every Aussie home needs this book on their shelf.

Here you can watch Nam Le reading a short excerpt from the 1st story.

And here you can hear Nam le talk intimately about writing and why he does it.

You can buy the book is various formats here.

Short Cuts by Raymond Carver

American short story writer, Raymond Carver,
1938 – 1988

One of the enemies of sleep is an overactive brain, which is why there are many pieces of advice that all aspire to getting a light-sleeper ready for sleep: listening to your own breathing, concentrating on a mantra, counting sheep, or reading a book; give the brain one thing to do, and not let it buzz around thirty eight.

I’m reading Hanya Yanagihara’s latest, and third novel, To Paradise, but I’m reading an ebook edition on my tablet and since modern medical advice is that reading on an electronic device before sleep is not a good idea – it tends to inhibit sleep, not encourage it – I usually have a paper book by my bed for those many minutes of bedtime reading.

Note! I’m not at all advocating choosing a dull read for bed-time reading; not a book to put you to sleep but one to prepare you for sleep.

Short stories are good. Raymond Carver’s short story collection, Short Cuts (1993), has been my recent and decent bedtime read.

The famed American filmmaker, Robert Altman, praised Carver for capturing “the wonderful idiosyncrasies of human behaviour … that exist amid the randomness of life’s experiences.” That paints a very general picture of what Carver wrote about; what he mainly wrote about was far more specific.

Carver was born and lived in the American North West and as a young married man – he was married and the father of two while still in his teens – he worked odd jobs, from picking tulips to sweeping floors to managing an apartment building. He knew all about unplanned responsibilities, the threat of unsatisfying work and unemployment and the mysterious chicanery of personal relationships. This is the stuff of Carver’s characters. They are lorry drivers, traveling salesmen, waitresses, the badly educated, disillusioned, the down-and-almost-out, alcoholics, quickly bored, easily distracted, and equally likely to be the betrayed as the betrayer. Their lives are beyond their control and since God has everything to do with it they don’t blame him since he doesn’t seem to care, but anyway, that’s okay because they aren’t that far away from believing they deserve everything they get.

Carver’s stories are usually cautionary tales, highlighting casual moments as the causes of distrust, treachery, and the erosion of tenuous human standards. His characters and situations may be dark and seemingly mundane but they contain a wealth of understanding and insight into the human condition and are told in bold and sparse prose.

Most fiction is told through an omnipotent unnamed third-person narrator who knows everyone’s, and the world’s, past, present and future; they know what everyone is thinking, needing, and planning and tells the reader what they say and do and what they think and want. Carver’s third-person narrators aren’t that powerful. His third person narrators have the same power as everyone else: they just report what is said and done, like his first person narrators. What the characters may be thinking at any one moment is either of no consequence or completely incomprehensible.

His writing is reader-focused: you fill in the gaps, the spaces for psychological insight that each reader brings to such texts which makes these stories so personal and endearing.

Short stories are not the most popular form of fiction but writers who do them well, Anton Chekov, Alice Munro, Katherine Mansfield, Sir Arthur Conan Doyle, W Somerset Maugham, James Joyce, Nam Lee, and Raymond Carver do them very well indeed.

These nine stories and one poem that make up this volume were the inspiration for Robert Altman’s multi-award winning film Short Cuts released in 1993.

Here is a feature-length documentary on Altman, the making of Short Cuts, the movie, and his reverence of the work of Raymond Carver.

You can buy the book in various formats here.

Winifred Falls

A recent short story, part of the collection Social Distancing & Other Stories available here

‘So where are ya off to today?’ Jennifer asked. Marian’s next-door neighbour was sitting in her usual place, on her porch. She dropped her right hand out of sight; Marian did not approve of smoking.

Marian was a stylish woman. She dressed and groomed herself immaculately, not in the latest fashion, which had gone off the rails as far as she was concerned, but in a style, a rather expensive style, suitable for her age. She was proud of the way she looked. Today she wore a pale blue summer blouse with a blue and grey tartan skirt. At her front door she had looked at herself in the full length mirror, turning this way, then that. Fine. She had walked out of her front door to wait for the car.

‘Elsbeth and Mal are taking Mia and me on a picnic.’

‘A picnic!’

‘Yes. Is that so strange?’

‘Have ya ever been on a picnic?’

‘Of course.’

‘Dressed like that!’

‘Of course not. Don’t be silly. I think I was thirteen when I last went on a picnic. Why? What’s wrong with how I’m dressed?’

‘Well, first of all, Luv, those shoes! You can’t wear heels on a picnic.’

‘Why not?’

‘Luv, you’ll be walking through grass and stuff. You’ll sink in. Don’t ya have a pair of nice flatties?’

‘But then I will have to change my dress.’

‘And that too. Won’t ya be sitting on the grass?’

‘Why ever for?’

‘That’s what ya do at a picnic.’

‘Oh, I don’t think so. We’ll be on one of those wooden outdoor settings. The ones with the seats attached and supported on a slab of cement, installed and maintained by the local council.’

‘But ya still have to get to the thing. What about those beige trousers I’ve seen you wear?’

‘My gardening clothes!’

‘Well Luv, you’ll be far more comfortable in a pair of trousers, I reckon.’

Marian always thought of Jennifer as over friendly, but the kind of over friendly that could be construed as common. ‘I’ll be fine. Mia likes to see her Grandmother looking smart.’

‘Suit ya self Luv. How’s Mia’s leg?’

‘Oh, Jennifer, you keep mentioning that. That was ages ago.’

‘Was it?’

‘Yes. She’s almost ten now and not so clumsy. Quite the little lady.’

‘Jeeze she made me laugh!’

‘I’ve never seen the need for humour at someone else’s expense.’ Marian would’ve chided herself if she had been aware of the corners of her mouth sliding down in hoity disapproval.

‘Oh, I know. It’s just that when someone is being so serious like and then falls on their mush, it just cracks me up. I can’t help it. I’ve always been a sucker for a banana skin.’

Neighbourliness sometimes forced Marian to invite her neighbour into her apartment, although she would always try to arrange things so that it was Jennifer’s they chatted in, but when it was her place she would always, once Jennifer had left, use a soft disinfecting cloth to wipe down everything Jennifer came in contact with especially if she had used the bathroom. Marian knew it was snobbish but that wasn’t a problem as long as other people didn’t see or hear it.

The little round table and two chairs that sat on all the little verandahs in the line of self-contained units came with each unit. They were identical; Marian thought that was a pity. On Marian’s table was a pretty blue and white ceramic pot on a matching saucer, containing a large blooming red gerbera; on Jennifer’s there was a black plastic pot full of dirt.

‘Ah! Here they are!’ Marian exclaimed as Elsbeth, Jamal, and Mia pulled up in their car. ‘Bye Jennifer!’

‘Bye Luv!’ She waved at the car.

Marian walked down her little path past her neat beds of carnations – she had a lovely crop this summer – well aware of her tartan skirt swishing as she went. All women need to know exactly what their skirt is doing at any given moment, she liked to think.

‘She looks like she’s going to a party, not a picnic,’ Jamal said quietly behind the wheel. Elsbeth smiled at her husband.

Marian stopped at the car’s back door and waited for Mia to open it for her. ‘Morning darling, Mal, and you, you pretty thing!’ she cooed, smoothing her skirt under her as she sat.

‘Morning Grandma! Morning Marian! Good Morning Mum!’ they all chorused.

‘You must always open a door for a lady, Mia,’ Marian chided kindly.

‘Sorry Grandma.’

‘Aren’t you a little over-dressed for a picnic, Mum?’ Elsbeth said as kindly as she could manage.

‘Oh, you know me, Elsbeth. Doesn’t she, Mia,’ and she tapped Mia on the nose. Mia smiled. Elsbeth and Jamal shared a look. ‘So where are we off to today?’

‘To a pretty little spot on the banks of a creek in the Royal National Park, Winifred Falls,’ Jamal said as he maneuvered out of the drive-way and into the traffic.

‘Oh! Is it maintained by the council?’

‘I suppose so,’ Jamal said.

‘Didn’t you check?’

‘It’s where Jamal took me for our first date,’ Elsbeth said.

‘We want to show Mia.’

Oh, so I’m just along for the ride, am I? ‘How sweet,’ she said. ‘Look at all this traffic!’ She commented on the traffic five times before they got to the park turn off. ‘I thought your first date was to see that film, you know, something about chocolate.’

‘That was Chocolat,’ Jamal said realising too late that he seemed to be correcting her pronunciation. He made a sorry-face meant only for his wife.

‘Oh, sorry,’ Marian said turning to look out the window at the bland and uninteresting suburbs.

‘No, Mum. That was our second date.’

‘Dad was expecting there to be other people there, but there wasn’t,’ Mia said cheekily. ‘They were all alone,’ and then added, ‘Ooooooo!’

Marian turned sharply to look at her grand-daughter. ‘What’s that supposed to mean?’

Mia ground the backs of two fingers against her lips and closed her eyes, ‘Mmmmmm.’

‘Oh stop it, Mia! You don’t know anything about it.’

‘I do so too,’ she said with confidence.

‘You’re only ten,’ Marian said looking askance at Jamal in the rear-view mirror.

‘I’ll be eleven soon,’ Mia countered. ‘Nearly a teenager.’

‘But not yet!’ Marian said. ‘You’re too young,’ she added while frowning again her disapproval at the back of Jamal’s head.

‘So, how is that neighbour of yours, Mum? Jenny, isn’t it?’ Elsbeth asked to change the subject.

‘Jennifer,’ Marian corrected. ‘She’s fine. Still smoking.’

And that seemed to be the end of the conversation as Marian returned to the nondescript view of grey-green bush now that they had left suburbia behind. Elsbeth rested her hand on Jamal’s thigh.

Marian Schiller, a third generation German Australian is fifty eight and a grandmother for the first time. Her daughter, Elsbeth (Elly) at twenty two married a journalist, Jamal (Mal) Aboud, a handsome second generation Lebanese Australian.

Marian had said nothing about her disappointment at her daughter’s choice of a husband, just like she chooses a hat, she thought, she fell in love and just had to have it; but she was self-aware enough to know that she had to control this feeling and that it was possible that other similar feelings might be lurking in her subconscious and that surfaced, like twinges in her lower back, when she least expected them. She wanted to be good. She had not been so good in the past, and at each slip the disapproving look from her daughter cut her deeply. Such looks were meant to only come from parents to children.

It wasn’t long before Jamal pulled into a small, graveled parking area.

‘Are we there?’ Marian asked with some alarm. The bush didn’t look anything like the park she was expecting.

‘Almost,’ Jamal said. We’ve got a little walk to the falls.’

‘A walk! How far?’

‘Only a few hundred meters,’ Elsbeth said. ‘Come on!’

‘Will we see a kangaroo?’ Mia asked as they all got out of the car.

‘We might,’ Marian said.

‘They’ll be asleep,’ Jamal said, opening the boot. ‘Pre-dawn and dusk are the best times to see them.’

How would you know? You’re not even Australian. ‘Where’s the path?’ Marian asked instead.

‘There,’ Elsbeth said, pointing across the road to a low gate. Jamal took the esky out and handed a bag of supplies to Elsbeth. ‘We might see some deer.’

‘It’s closed!’ said Marian with some hope. ‘Are we allowed to go down there?’ Recent summer rain made the path look extremely uninviting.

‘Just no car access,’ Jamal was carrying the esky and picnic bag. ‘I can help you over it, if you like.’

‘No, thank you. You never said we were going bush-walking.’

‘I said there’d be a little walk to the park.’

‘This isn’t a park.’

‘It’s the Royal National Park!’

‘I was expecting a park with grass, Mal, and a normal cement path not a bush-track. It’s just rocks and mud.’

‘I could piggy-back you.’

‘You will not!’

‘Come on Gran,’ Mia said. ‘It’ll be an adventure. Like explorers.’

‘It’s Grandma, young lady. One shortening is more than enough. There’s no need to shorten it again.’

‘Come on Mum,’ Elsbeth said with the rug and a bag of supplies. ‘We don’t have to hurry. We don’t have a train to catch.’

The four picnickers crossed the tarmac and stepped over the low gate. ‘If I break a heel ….’ Marian said with some force but then she needed all her concentration to navigate through and over, mud filled furrows, caked ruts, puddles and patches of gravel, leaf litter, and deer dung. The two adults and child had to wait for her many times.

‘Mum, take it easy’ Elsbeth said more than once.

‘Don’t you worry about me,’ Marian called back with eyes fixed on the treacherous ground. ‘You just keep your eyes open for snakes.’

‘Look Grandma!’ Mia shouted as she crouched by a layered clay bank at a patch of mossy soil. ‘There’s lots of sundews here.’

‘What!’ shouted Marian from a few meters back.

‘Insectivorous plants, Grandma! Sundews!’

‘That’s nice, dear,’ Marian said without looking up.

‘Can you see Dad?’

‘Yes, you’re right.’

‘But, they’re so small.’

‘And delicate. I wonder what they eat.’

‘Come on you two!’ Marian said having caught up with them. ‘If we don’t get there soon we’ll get there and have to turn around and come straight back again.’

‘You’re doing very well, we’re nearly there,’ Jamal said.

‘I’d believe you if it wasn’t for that smirk on your face.’

‘It’s just around the next bend, Mum,’ Elsbeth was ahead.

‘So is Christmas.’

Less than fifteen minutes later they came to a clearing overlooking a creek running over a low cliff of layered granite ledges. Little waterfalls cascaded into a wide, clear, and still pool, soft looking and tea-colored from the surrounding melaleucas and leaf detritus in its shallows.

‘It’s beautiful!’ Mia exclaimed.

‘We knew you’d like it,’ Jamal smiled at his wife.

‘Look Daddy! Caves under the waterfalls! Can I go look!’

‘You be careful Mia!’ Marian cautioned. ‘There could be things in there. And don’t get wet!’

‘Oh, Marian, I don’t think a little water will hurt,’ Jamal said as bright-eyed Mia headed for the shadowy caves.

Marian looked at her son-in-law askance. ‘Well, there’s definitely no picnic tables.’ And no grass.

‘Look Mum!’ Elsbeth said. ‘Over there’s a low ledge in the shade. You can sit there quite comfortably, I think.’

‘That’s a great spot!’ Jamal confirmed.

‘Getting there is the problem.’

‘Marian, you may have to take off your shoes,’ Jamal said.

‘What?’

‘Stay here. We’ll take everything down and Elsbeth can come back with my walkers for you.’

‘Your feet are much bigger than mine.’ And your walkers aren’t the cleanest either.

‘It’s just to get you down to the ledge. You can’t do that in heels.’

Marian waited. ‘Mia!’ she called. ‘Don’t go too far.’ She had to say something.

Elsbeth laid out the rug on the ledge and emptied the esky: chicken and mayonnaise sandwiches, drumsticks, bottles of juice and water, a container of cherry tomatoes, half a watermelon, cheese and crackers.

Marian sat on the edge of the ledge fanning herself with a plastic plate.

‘Mia!’ Jamal called. ‘Lunch is ready.’

‘Coming!’

‘Elsbeth,’ Marian whispered. ‘I can’t see any toilets.’

‘No,’ Elsbeth said. ‘But I‘ve bought a toilet roll.’

Marian stared at her, then at the surrounding bush, and back to her again. ‘You can’t be serious.’

‘M-u-m,’ said Elsbeth. She handed her mother a drumstick wrapped in a napkin.

Marian lowered her make-shift fan and glanced around for the cutlery but saw none and so let Elsbeth put the drumstick on her plate. Marian picked it up like a non-smoker taking a cigarette.

‘Isn’t this wonderful!’ cried Mia as she joined her family on the rug. ‘Can we go swimming later?’

’Oh n …’ began Marian.

‘Sure,’ Jamal said.’

‘You can see right to the bottom,’ said the excited girl.

‘Do you know what creatures live in that water?’ Marian asked to suggest caution.

‘Fish and small crustaceans I expect,’ Elsbeth said.

‘There may be glass,’ Marian continued. ‘You know how people can be.’

‘Don’t worry, Grandma, I’ll leave my shoes on. They’re made for water. You can use Dad’s and come in with me.’

‘No, thank you very much!’

‘Would you like some juice, Mum?’ Elsbeth asked.

‘No thank you.’

‘Water?’

‘No thanks, Mal.’

Elsbeth smiled at her husband. ’Do you remember where we sat?’

‘In that cave, I think.’

‘Did you bring a picnic like this?’ Mia asked.

‘No,’ he said. ‘I think we had a bottle of wine, though’.

‘That’s right. Koonunga Hill Shiraz. It was your favorite, remember?’

‘I certainly do. Still is my favorite. But,’ he said to Mia, ‘we made sure we took the empty bottle back with us.’

‘You drank a whole bottle?’ Marian’s raised eyebrows were at their limit.

‘Between the two of us.’ Marian caught the cheeky look he shared with Elsbeth and then checked if Mia had seen it.

There was silence for a while as all four people took in the surroundings.

‘Isn’t it gorgeous, Mum?’ Elsbeth said.

‘Yes, it’s very nice,’ Marian said to maintain the peace.

After everyone had eaten enough Elsbeth packed away the left overs while Mia took off her shorts, she had red swimmers underneath, and leaving her sneakers on she waded into the water.

‘You be careful now, Mia,’ Marian warned. “Shouldn’t she wait at least half an hour after eating?’

‘That theory was debunked years ago.’

‘I think, Mum, that only applies for physical exertion. She’s just cooling off.’

‘Ooooo!’ shrieked Mia, ‘it’s so cold and so soft. It’s like silk,’ and she ducked under the water.

Marian stiffened but took some comfort as both parents were watching their daughter. All three had that shaky investment in an only child. After about five minutes Mia came back and lay spread-eagled in the sun on the ledge. ‘That was great!’ she said.

‘Shouldn’t she have some sunscreen on?’ Marian suggested.

But Mia preempted any reply by jumping up and asking, ‘Can I go for a walk in the bush?’

Marian, tight lipped, looked at her daughter.

‘Sure,’ Elsbeth said. ‘Do you want us to come too?’

‘No. I can manage.’

‘You can walk around the pool,’ Jamal said, ‘just keep us in sight.’

‘As long as you can see or hear us,’ Elsbeth added.

‘Goody!’ said the girl as she jumped up and picked her way across several ledges and into the grey-green foliage.

Marian looked concerned. ’Shouldn’t she be wearing a hat.’

‘She’s in the shade,’ Jamal said.

All three adults kept their eyes on the flashes of red through the distant foliage. ‘I can’t hear you!’ the girl called from the undergrowth.

‘But we can see you!’ her father shouted back.

‘You look like an explorer!’ added Elsbeth.

‘You know, Marian,’ Jamal said, ‘we’re so proud of her and how she’s recovered from that silly accident.’

‘She’s regained all her confidence and then some,’ Elsbeth said. ‘She’s been chosen to captain the netball team. Six months ago that would’ve been impossible.’

The chat continued with proud parents explaining the advances and set-backs of Mia’s fall outside Marian’s apartment almost a year ago. Each parent occasionally checked on Mia as they talked.

Mia had got to the head of the pool where another little creek entered but she couldn’t get across because of the steep drop to sticky mud so she took a fallen and jagged tree truck to get over the creek and jagged rocks some meters below.

Marian had only taken her eye from her grand-daughter for a second to find a napkin and take a piece of watermelon but when she looked up …. it was her sharp intake of breath that alerted Jamal who, in an instant, turned, clasped a firm hand over Marian’s open mouth and forced her, with both hands, onto her side onto the rocky ledge. He held her down keeping her silent – her eyes bulging with surprise, shock, and indignation – as both parents held their breath as they watched their daughter, deep in concentration, maneuver her way over the rickety log to the safety of the other side.

When Marian felt Jamal’s grip on her weaken she struggled against him; he let go of her, and she staggered to her feet and with all the outrage she could muster growled, ‘How dare you!’

‘Mum…’ began Elsbeth.

She turned to her daughter and spat, ‘Shut up!’

And all three watched Mia pick her way back to them on the opposite side of the pool but before she got there Marian retreated as quickly as was possible to a flat rock away from the family.

‘That was great!’ Mia said. ‘I saw a lizard! Where’s Grandma going?’

‘You need a medal,’ said her father. ‘We don’t have any gold, but we have some watermelon.’

Mia laughed and took a wedge.

‘I’ll be back in a minute,’ Elsbeth said and headed off after her mother.

She found her leaning against a boulder brushing her clothes down.

‘Mum,’ Elsbeth spoke in as conciliatory a tone as she could muster. ‘Just a minute.’

Marian turned to face her daughter. Her face pink with rage. She had a twig in her hair. ‘That man attacked me!’

Elsbeth’s face lost all its attempt to pacify. ‘What do you mean ‘that man’?’

‘Your husband!’

Elsbeth matched her mother’s vehemence. ‘Yes, he’s my husband, your son-in-law, the father of your grand-daughter and he has a name.’ The two women glared at each other. ‘Well, go on!’

‘ … what?’

‘What is his name?’

Marian just stared at her daughter. There was fear and uncertainty in her eyes.

‘His name is Jamal,’ Elsbeth said.

‘I know that.’

‘Then why don’t you use it?’

‘What do you mean?’

‘You call him Mal. No one calls him Mal, except you. And I know exactly why you call him Mal: because it sounds more white!’

Marian stared at her daughter and she could feel terror creep into her veins. She turned and headed into the bush. ‘I’m going back ….’ she began but her throat closed up and deprived her of air and fight.

‘Is Grandma alright?’ asked a worried little girl.

‘She’s a bit upset,’ Elsbeth said as she started to tidy things up and repack the esky.

‘I explained a little bit,’ Jamal said.

‘She’s gone back to the car. We’ll have to go,’ Elsbeth said.

‘But, what …?’

‘Darling. We’ll explain when we get home. Let’s just pack up and save all your questions until then. You know we’ll answer them all, don’t you?’

‘Alright.’

‘And, Mia, that means not asking in the car,’ Jamal said. ‘It will really upset Grandma. It’s going to be a very quiet trip home.’

And it was. The atmosphere in the car was tense. Elsbeth turned the radio on but it didn’t help. Mia glanced over at her Grandmother who stared out the window, and saw her hair in disarray and a brown smudge on her cheek. She only glanced at her Grandmother once.

As soon as the car came to a stop outside Marian’s unit she opened the door and said with great difficulty, ‘I have to go to the bathroom. Thank you for a lovely day.’ She left the car door open and hurried to her front door, fumbled with the keys, opened it, left it open, and disappeared inside.

Jamal turned off the engine. ‘I’ll go and talk to her.’

‘Is that wise?’

‘I think so.’ Jamal got out of the car.

‘I don’t understand. Why is Grandma so cross?’ Mia began to cry.

‘Oh, darling,’ Elsbeth got out of the car and into the back seat to comfort her daughter. ‘It will all get better. Bad things always get better.’

Jamal entered Marian’s unit, closed the door, and waited in the middle of the neat living room. There was a framed photo of a smiling Mia and Marian on a little lace-covered table beside her chair. A bud-vase held a red carnation and next to it a pile of books whose spines were arranged in ascending order of size and all aligned with the table edge. He heard the toilet flush and then waited to hear the bathroom door open and close.

Marian appeared in the doorway and stopped. Surprise and then anger flashed across her face.

‘I want to explain,’ Jamal said.

‘There is nothing to say.’

‘Yes, there is. Will you let me try?’

Marian sat in her chair.

Jamal sat on the couch. ‘You were going to warn Mia.’

‘She was in danger.’

‘She was managing on her own. Concentrating.’

‘She could’ve fallen!’

‘Yes, if she had been distracted.’

‘I was only thinking of her.’

‘I know. So was I. I wasn’t thinking of you, Marian. Like you, I was thinking of Mia, maintaining her concentration.’

‘You attacked me.’

‘Yes. Because I was thinking of Mia.’

‘So I did the wrong thing.’

‘… yes; about to do the wrong thing.’

‘I see. I’m a danger to my own grand-daughter now, am I?’

‘Today. Yes, you were. Had you had time to think about it you would’ve remained silent. I’m sure of that; and hoped like us, that she would make it. But there wasn’t time. Reaction always comes before reason. Your reaction was wrong. I had to stop you. I had to. I hope I didn’t hurt you.’

‘Not that anyone can see.’

‘Mia is safe. No harm done. Not to her. Now, my focus is on you.’

Marian flashed a look at him.

‘I’m very sorry I did what I had to do. If I had time for reason I would’ve done it differently. But, like you, I reacted before thinking. We both reacted before thinking.’

Marian looked at him again, but only briefly.

‘I’m sorry. I’m sorry, Marian, for what I did to you. But I don’t regret it. I was only thinking of Mia.’

‘So you’ve said.’

‘As you were. And I don’t want what happened today to be like a never-healing sore on this family. So, if there is anything I can do to make things right; like they were. I will do it.’

Marian looked at him. And looked longer this time. And her back slowly straightened. Finally, she spoke. ‘Yes, there is something you … something I would like you to allow me to do.’

‘Anything.’

She stood.

Jamal stood as well.

She walked over to him and slapped him hard across the face.

As Jamal closed the door on Marian’s unit, Elsbeth and a much calmer Mia, watched him walk down the path, around the car, and slide into the driver’s seat.

‘How did that go?’ Elsbeth asked.

‘ … fine,’ Jamal said without looking at his wife. ‘Everything’s fine.’

‘Well that’s a relief. Let’s go home.’

‘… naeam.’

Social Distancing

by Michael Freundt, a short story.

‘Don’t come near me!’ she screamed.


He struck her hard. With a fist to the face. She fell against the side board with a thud. The sound of breaking glass. Her mother’s set of champagne flutes. The ones with the gold trim. She staggered back instinctively as if she was to blame. She thought of her mother. So this is what she meant. She took another blow to the side of the head and fell to her left. She saw flashes of light and then dark, then bright again. She used a small door knob of the side-board to haul herself back to her feet; back into his range. Why did I do that? He hit her again. Harder this time. The door was still open a bit. She fell against it and heard a rib crack. Knives rattled together like rocks in a can. It took her a moment to focus. She knew she didn’t have much time. She yanked open a drawer. She reached inside.

‘What are you doing?’ he said.

She reached further in among the knives.

‘You wouldn’t dare.’

She pulled out a gun, turned and pointed it at him. That made him stop.

‘What’s the fuck!’

‘Stay away from me,’ she said. Her voice cracked.

‘What’s that!?’

‘What’s it …?” More words were hard to say. She swallowed, blinked, and wet her lips. Her left eye throbbed. ‘What’s it look like?’ She could feel her heart bumping in her chest. She wanted to run.

‘Where did you get that?’

‘Does it matter? Get away from me!’

He took a step back. She felt the taste of rare control.

‘What are you doing with a gun in the house?’

She thought this was funny. ‘Well, considering…’

‘Whose is it?’

‘Mine.’

‘Fuck!’

‘I can use it!’

‘You don’t know a fuckin’ thing abou…’

‘Try me,’ she said mildly. She could see he was unsure and she tasted that feeling again. She straightened her back. She winced and wondered if she could really go through with it.

‘Give it here,’ he said like a Dad.

‘No,’ she said like a child.

He looked at her.

She held his gaze. She swallowed.

‘Is it loaded?’ he asked.

‘ … I don’t know.’

He stepped towards her.

‘Maybe.’ The sound and feel of that word surprised her. She felt she had the upper hand. It occurred to her that he wasn’t in control as much as she had always believed he was. She had given in to him on so many occasions. Even the choice of this side-board; it was too high she had always thought. Why did I do that? It wasn’t just the gun, it was him. He faded a bit. But if the gun wasn‘t loaded everything would change. There was only one way to find out.

He stopped. ‘You kept it there? In the cutlery drawer?

‘You never open the cutlery drawer.’

She could see his anger rising again.

‘What the fuck is my wife doing with a gun in the house, for fuck sake!?’

‘Just as well, ay?’

‘You fuckin’ bitch,’ and he moved.

She lowered the gun and fired.

The sound was weak. Surprising. It didn’t fill the room. It hurt her ribs. She thought for a moment she hadn’t done it right. But yes, it was loaded.

He screamed and dropped to the floor holding his knee. Blood oozed between his fingers. His howls filled the room.

She thought of pigs.

‘You fuckin’ shot me!’

Yes, I did. Yes. That’s what I just did. She repositioned her fingers around the thing. It was warm now. Still pointing it at him. It was her only help. Her life-line.

His screams became moans.

‘Get back from me. Get back.’ She took a step forward from the sideboard but standing on her own felt uneasy. ‘Get back!’

He managed to sidle his arse on the floor and retreated from her.

She took a step back to lean against the sideboard. She reached into her jeans pocket and pulled out her phone. Her breathing was shallow and quick. She felt a little dizzy. With flickering glances at the man writhing and groaning on the floor she dialled a short number.

‘Yes,’ she said. ‘The police. Yes. An ambulance. Yes. I’ve just shot my husband. What? No. He’s fine. There’s a bit of blood.’ She told them her full name and address and put her phone on the side board. She tried to control her breathing slow it down, breath deeper.

‘You’ll go to jail for this,’ he managed to say.

‘Probably.’

‘Why the fuck did you go and shoot me!?’

‘I didn’t kill you,’ and she raised the gun, pointing at his head. ‘I could’ve.’ And then with an intent and attitude she had never used before. ‘Can you feel it?’

‘What?’

She waved the gun slightly to the left and fired into an armchair. The sound was week and tinny again. Like it was before. Maybe that’s how it is. Maybe that’s what a gun sounds like. She waved the gun back to his head. ‘Feel it now?’ She could see that he could and it felt good to her. ‘Now you know what it feels like.’

‘You’re fuckin’ crazy!’

She gave a little harrumph and said quietly. ‘Now I know what it feels like.’ She smiled.

‘You were havin’ it off with that sparky bloke.’

‘What? No.’

‘Susie Driscoll told me.’

‘She saw me fucking the electrician? No. She saw me talking to Jim in the car park.’

‘Oh, it’s Jim now, is it?’

‘Yes. That’s his name. Jim. He offered to load my boot for me. I said thanks but it’s OK. He told me about his little boy’s questions about the virus. They were apposite and cute.’

He gave a grunt. ‘You were flirting.’

‘I smiled at him, yes.’

‘What else?’

‘Nothing.’

‘I don’t believe you.’

‘Not my fault.’

‘Well this is your fuckin’ fault. You shot your husband in his own living room. In the knee! For Christ’s sake. I’m a fuckin’ rugby player!’

‘There’s no more runball until the end of next month; and that’s even in doubt.’

‘Stop calling it that. You don’t know what you’re talking about.’

‘I don’t care.’

‘You need to see a doctor.’

‘You’re the one gushing blood all over the floor.’

‘A psychiatrist. You need to see … Did you plan this? So you could be with Jimmy boy?’

‘You’re such an idiot. Why would I plan a punch to my head? Three punches to the head. Ha? How would I plan such a thing?’

‘You’ve had a gun there all this time. Loaded.’

‘Mum gave it to me.’

‘She’s always hated me.’

‘She doesn‘t hate you. Just like she doesn’t hate Dad, despite what he did to her.’

‘If she’s anything like you, I don’t blame him.’

‘You’ve never blamed him.’

‘Can you get me some pain killers?’

‘No.’ Her right arm was aching. She let it drop a little.

He moved towards her and she pointed it at him again with added intension and used her left arm to help her hold it out.

‘Getting tired?’

‘Yeah. I can use my left hand,’ and she took her right hand away and shook it. ‘But I’m a little shaky with my left, I might miss your other knee and hit something else.’

‘ … let’s just think this through. What about the boys?’

‘You’ll have to look after them.’

‘I’ll be in hospital.’

‘For a few hours maybe. You’ll be home before the boys get back. You can hop from room to room. You don’t need legs to cook, do the washing, do the ironing.’

‘I don’t know how to cook.’

‘Turn on the gas. Put water in a pot. Add beans. Wait.’

He dismissed her sarcasm with a ‘Phut … What if I’m not back?’

’You’ll have to call someone. Your sister.’ She looks at her watch on her right wrist and moves the gun back to her right.

‘The police aren’t coming.’

‘They’ll be here.’

‘You’ll going to jail.’

‘Oh, did you hear on the news this morning? The jail’s overcrowded making social distancing impractical so they’re moving low security prisoners into hotel rooms, and anyone on remand will be placed in isolation in a hotel room too. I’ll be in The Intercontinental for two weeks courtesy of the government, ordering room service, and watching my own Netflix choices.’

‘If the police were coming they’d be here by now.’

‘They’ll be here soon.’

‘I could press charges.’

‘So could I.’

‘For what?’

She used her left hand to touch her left eye and cheek. She could feel its heat and her vision through that eye was now blurry. It must look like spilt blueberry trifle. She curled her fingers in to point at her face.

‘What’s that compared to a gunshot wound?’ he said.

‘I was protecting myself.’

‘A little lop-sided don’t you think?’

‘No. What more were you capable of?’

‘Oh please. I was upset.’

‘I was bashed because you were upset.’

‘I thought you were screwing the electrician.’

‘I wish now I was.’

He pointed at her. ‘That’s evidence against you. When I’m asked to give evidence in court I’ll say you wanted to screw the electrician. You told me so. I wasn’t wrong, you see?’

‘It was a sentence of conditional wish fulfilment, not admission of an action but a desire that something could happen but didn’t, knowing what I know now.’

He sighs. ‘Spare me.’ And then, ‘I’ve got to get attention to this knee.’

‘They’re on their way.’

They looked at each other, each daring not to look away. Being alert. Everything in the past was a blur. It was like their lives had appeared out of nowhere. They began from this moment. How did they get to this? This moment of no past and no idea of the future. Time seemed stretched. How long since either had spoken?

He moved onto his other hip. She watched him closely, gun ready. He used his left hand to get his phone out of his pocket. ‘I’m going to make my own call. Call an ambulance. To report a shooting.’ He held his phone up. ‘Here you are in our family home with a gun pointed at your wounded husband.’

She shot the phone out of his hand. The sound disappeared as quickly as it had erupted.

‘Jesus!’ Blood appeared on his fingers. ‘Fuckin’ hell!’

‘I’ve got three left. Just stay where you are. And wait. And while I’ve got the floor you can tell me about you and Susan Driscoll.’

‘Don’t be ridiculous.’

‘We’ve been locked down here for three weeks. Jigsaw puzzles. YouTube. Rugby’s Best Tries. Bananas in Fucking Pyjamas. We haven’t been out of each other’s sight. Now that the boys are back at school you thought it would be good time to bring it up. Reinforce yourself. Mm? How could Susie, not Susan but Susie Driscoll, you said, Susie! How could she speak to you about … You’ve been calling her on the loo. Haven’t you?’

‘I know what you’re doing,’ he said but she could see he was rattled. He wouldn’t look at her. He sucked the blood from his fingers.

‘So do I. I know exactly what I’m doing.’ She tried hard for her face to reflect what she wanted to believe. 

‘Let’s be sensible here. What are we going to tell the police?’

‘The truth.’

‘And they’ll believe you?’

‘I shot you. Deliberately. In the leg – not in the head or the chest – in the leg, to stop you hitting me again. What’s not to believe?’

‘It’s the end of our family.’

‘Probably, yes.’

‘Maybe you should’ve thought of that before you shot me.’

‘Maybe you should’ve thought of that before you hit me.’

‘I’ve hit you before.’

‘I didn’t have a gun then.’

‘We got over it.’

‘Did we? You may have.’

‘Sometimes men hit women.’

‘Oh Yes. It’s a psychological attribute. I forgot. Like a dick.’

‘And we have reasons.’

‘So did I. And my reason is stronger than your reason.’

‘Really?’

‘I was defending my life. You were defending your masculinity.’

This had never occurred to her before. She’s never been in this situation before. But now it all seemed so clear.

‘You won’t be able to see the boys.’

This knocked her. ‘… I’ll have visiting rights.’

‘Only if I let them.’

‘What are you going to tell them?’

‘That you shot me! Twice!’

‘And when they ask why, Why Daddy? Why did Mummy shoot you? What will you say?’

‘That you don’t love me anymore, that you were in love with Sparky Jim and wanted me out of the way so you can be with him.’

‘That’s not true.’

‘You won’t have the opportunity to say so.’

‘So our two sons have become rewards in a game.’

‘What does that mean?’ He could see she was wavering. ‘That’s what you always do, rub my lack of a degree in my face. Sprout some literary jargon that means shit when you come down to it. I speak plainly. The boys are mine.’ He could see water in her eyes and saw his chance. ‘Look. We’ve got time to agree on a story. I won’t press charges and you won’t press charges. I’ll have a few hours in hospital and maybe you’ll have to give a statement or something. We’ve been cooped up here at home for three weeks. We got on each other’s nerves. A … a …. a little game developed without the kids around, you know, what you read about, some kind of kinky game thing. You know. And if we support each other we can go on as before. We just have to agree. Agree and stick to it.’

‘Same as before.’

‘Yes. Same as before. The four of us. Together with the boys. Otherwise you’re on your own. And you’ll never see your kids again.’

The two adults stared at each other. They heard cars outside coming to a stop. Footsteps on the path, then nothing on the grass, then louder on the porch. Then an urgent knocking on the front door.

‘Open up! Police!’

‘Coming!’ she called out.

‘Sweetheart…?’

She broke her gaze from her husband, walked to the front door, opened it, turned the gun around and handed it to a gloved police officer. ‘He’s in there.’

Several officers walked past all wearing masks and gloves. One of them, a female officer, took her by the arm. Para-medics dressed all in white plastic like attendants in a nuclear power plant followed with equipment and a stretcher.

About twenty minutes later as he was being wheeled to the ambulance and she was being led to the police car she turned to him and … she thought of telling him about the lasagne in the freezer but said, ‘Jamie doesn’t like tomatoes in his sandwiches and Russ won’t eat overripe bananas.’

-oOo-

Monday in Piss Street

a short story

I live in a shit-hole. Lying here ain’t good. My bed stinks. I fart loudly and crawl through the thug of it and go to the kitchen. I can hear me mum snoring from here. It’s a small place. Yeah, course it is. Cockroaches nyere-nyere me as they scatter away. They feel safe, I reckon. At home. I open the fridge. There’s lots of space in our fridge. Green muck too. Fuck! The milk’s off. I drink from the sink tap. Tastes like Draino. What day is it? Shit! I’ve got to go to the dole office. There’s this fat fag creep there who looks at me like I’m a Macca’s burger with fries on the side, like that chick in that ad on TV. Hope I get the swami girl. She’s got Milo skin and eyes like mud cake. I shower, feel like a dump, take one. The Dettol soap is a nail clipping but it still strips every bit if moisture out of my skin. Me mum believes in squeaky clean. That and smack. Yeah, I know.

I can hear Scotty scratchin’ at the back door. I let him in and find a rusty can of four-bean mix in the cupboard, behind the tea bags she steals from the motel down on Cowper Road. A job she’s got, three days a week. It used to be two days but she gave the manager a blowjob and got three. That’s what I reckon. I open the can with a bread knife and Scotty and I share it. I go into me mum’s room and scratch around in her side drawer and – bingo! – find a twenty-dollar bill. Fuckin’ awesome. She’s dead to the world. I cover her up properly after starin’ a bit.

On the floor I find a belt to use as a lead for Scotty. We go to the shitty local con store; mum keeps telling me I need to think about the future. I’ve got to get some dog food. The chink sits behind mesh wire the thickness of pencils. I slide two cans of Chow, a Snickers bar, and a half litre of milk at him. He doesn’t look at me. I was 5 cents short on a packet of bbq chips once and he wouldn’t let me have them. I broke his nose, the slanty-eyed prick! Now there’s this fuckin’ pencil mesh everywhere. He gives me $1.50 change and I feel like punching him again. He knows it too. Fuckin’ reffos. Robbing us blind! Scotty craps on the footpath. I don’t have a placky bag with me, never do, so I shove it into the gutter and get dogshit on my stubs. Bloody hell! I find a patch of grass inside a car tyre, push it aside, and try to wipe me toes clean with it; fuckin’ jeez, I must look like a spazo dancing or somethin’. Scotty barks. Shut up ya dick! I see a couple of white haired geros up ahead. They stop talking and cross the street. “What are ya lookin’ at, ya coupla cunts! You’ll be dead before me. I’m just walkin’ me dog! Sa free country!” They scurry on a bit, as fast as their skinny little bandy legs can carry them. Ha! Makes me want to vommi. The pricks!

Charlie finishes serving a chick with her skirt up her crack. “Morning, Bo. What can I do for you”. He looks at me. I look at him. He knows what I’m goin’ to say. “Me mum’s still sleepin’ it off and there’s no food in the joint. I gotta go to the dole office. Can I have a burger?” “What about your mum?” he says. “Yeah,” I say. “Can ya make it two?” He looks at me like his shit don’t stink but he bailed me out once so mum says I can’t give him no lip. I gotta swallow it. Feels like nails. He goes to make the burgers. I stand and wait. I look out through the big window onto the street and see that pansy from the pub on the corner; the pub where they do prissy shows watched by chicks in merks and blokes with haircuts. I looked through the window one night at a couple of guys in frocks telling jokes about god and the prime minister. The crowd was lapin’ it up. Some sort of code, I reckon, like commi shit or somethin’.  The sissy-boy’s with his dicky little benji-dog. He bends down and picks the stupid mut up as good ol’ Scotty yaps fit to split and goes for his ankles. Rip him to sheds, Scotty! Little Scotty won’t leave him alone and his fluffy mut yaps in his arms. I’d laugh if I had the energy. Charlie gives me the burgers and I say “Thanks” like me mum said I had to. Scotty keeps barkin’ and jumpin and the sissy-boy…”Hey!” The cunt’s tryin to kick my dog. “Hey! Shit face! What the fuck do ya think ya doin’?” I run right up to him and stand right up to the prick with my chest in his face. He looks like he’s goin’ to shit himself. “You tryin to kick my dog? Hey!? Hey!? Ya fuckin’ cunt! Kick my dog and I’ll smash ya fuckin’ face in!” The fag tries to speak, “Well I’m not going to push a dog away with my hands, am I?” “What’s that supposed to mean,” I scream at him. “You tryin to be some kind of smart arse? Hey!? Hey!? Are ya!? Hey!?” and the cunt turns and walks away. “I’m askin’ ya a question, dum-fuck. What’s a poofta like you tryin’ to kick me dog? Hey!? Fuckin’ nancy-boy, take-it-up-the-arse, shit-pusher! Go on, answer me fuck-face. Poofta!” I yell and it feels real good. He’s shakin’ and can hardly walk straight. And then he stops and turns his lilly-white pansy-boy-face, white as froth, and says to me somethin’ like if I wanna insult im or somethin’ I’ll have to find somethin’ diff’rent than what’s true. What?! “What did you say!?” I scream. I don’t know what he’s tryin’ to say. “What the fuck!” I yell spit on his nose. “Ha!” I scream but the feel-good stuff’s oozin’ away and I hate it, but he’s still shakin’ huggin’ his stupid dog. I can taste his fear and it tastes good, salty-sweet. I’m runnin’ out of words. He walks away. “Ya fuckin’ cunt!!” I scream. My face is burnin’ and the heat in my body and lumps in my throat choke me, and I so fuckin’ hate it – “I fuckin’ hate it!” I scream at the sky; when smartarse pricks throw words at ya that don’t make sense. “Aaah!!” And I hear a few doors open and close. “What the fuck are you lookin’ at” I bellow at whoever can hear. But, I scared him shitless didn’t I? Yeah, the prick. Scotty is pullin’ on my belt, with his tail down and pullin’ away from me. “Come here! Ya my fuckin’ dog! Mine! Come here, ya prick.” And I can’t yell anymore and I walk away draggin’ Scotty like a pyjama bag I saw a kid with once on TV.

I sit under the concrete steps that go up to the freeway and try to stop the drummin’ in my ears. I eat my burger. It helps. Scotty looks at me like he doesn’t know nothin’. I give him a piece of bun. He eats it. I still feel hot but it’s goin’ away. I walk up the stairs to the freeway, and along the footpath to the park and let Scotty off the lead. He doesn’t know what to do. “Run, ya prick,” I say. I walk over to a tree and lean against it listenin’ to that drummin’ again. It’s getting fainter I think. A poxy bloke in a suit comes up to me and says, “Hey, pretty boy! Want to make a bit of money?” “Fuck off,” I say but it sounds weak. It comes out like I’ve got a cold, or somethin’. “What do you say to twenty bucks for a blowjob?” he says with just a slit on his shiny face, like we’ve done this before. “Fuck off,” I say again. More like a whisper this time. But I think about the money and how I can get the bus to the dole office, and maybe, some food for tonight. I gotta think of the future, like me mum says. “Fifty,” I say. “No blow, just a hand.” “OK, twenty though,” he says. “Fifty or nothin’” I say and make it like I don’t care.

His little dick is hot is my hand but it doesn’t take long, thank kryst, and no way did I let the faggot touch me. No way. He messed his expensive shirt which made me smile which gave him the wrong idea. I wiped my hands on the grass and took off with my bus money. Needle-dick loser. I took Scotty home. Me mum was still dead to the world. I put her burger in the fridge. I took the bus to the dole office.

I sat on the bus next to a chick with really big knockers, a green t-shirt and cut-off jeans. I said, “G’day.” She looked up from her phone. Nothin’. What is it with chicks who won’t even say g’day. Stuck-up bitch. I gotta get myself a phone. Yeah. The fat creep isn’t on duty today. Yeah, but the swami girl is. I wait and let some nuf-nufs go before me so I can get swami-girl. I sit at her desk. She’s really pretty and has a purple scarf-thing over her black hair.

“Hi, Bo. How you been going?”

“OK.”

“Just, OK?”

“Yeah.” I hand her my form.

“You’ve been to see all this people; all these jobs?”

“Yeah, course.”

“If I rang some of these people, they’d remember you?”

“S’pose not.” I ain’t stupid.  “They see heaps of fuckers.”

“How’s your mum?”

“OK.”

“Still working her two days a week?”

“She’s not working. Hasn’t worked in months”

“I thought she was at the motel two days a week.”

“Nah, when it came to pay day the prick wouldn’t pay her. Sack’d her.” Can’t tell swami-girl the truth, mum said.

“I see.” She goes down the list of interviews I’ve done, well, done some of ‘em. She looks at me like she likes me. I like her too. She’s wearin’ lots of flowing clothes so I can’t get the jist of her body, but I bet it’s alright. I start imaginin’ her black swami bush between her legs and I get a hard-on. I wanna touch her. I look at her hands and she’s wearin’ a few rings. She’s not supposed to wear stuff like that at work. Ya can get smashed fingers from some prick who’d cut your hand off as soon as look at ya. They’d fetch a bit, I reckon. She looks at me. I look at her. The kind of too-long look you see sometimes in movies. I reckon she likes me for a fact. “Nice rings,” I say. She looks at her rings and takes them off. Fuck! Why she do that for? “I was just lookin’.” “Sure,” she says but you can see she’s scared a bit. Stupid bitch! She looks at me again and there’s somethin’ she wants to say.

“It’s fuckin’ OK, alright?” I say.

“Is it Bo?”

“Ye-ah!?” What’s she getting’ at?

“You’ve got to think about the future, Bo.”

“Yeah well I am! Me mum says that shit all the time. I wanna get a phone.” I think about that loser in the park. I gotta get a phone. She’s lookin’ at me. Now, I don’t know if she likes me or not. This is what I don’t get. Chicks look at ya and ya know what they want, and then they look at ya again and it’s different. Or they look at ya and ya know what they want, so you do it, and then they scream at ya, call you names, and piss you right off.

But she signs my form and I say, “Thanks.”

“Say Hi to your mum,” she says. “Next!” she yells.

I go into the city to make me feel normal. When you’re in the city ya can be anyone walkin’ around. I look at them and they look at me and see what I see, just pricks walkin’ around being normal. I breath normal. I break the fifty at Maccas but know I have to get some food for tonight. I like this feeing, this doing stuff for me mum. I walk past a posh supermarket and think, I can go in here, and so I walk in. I look at security and he looks at me. Shit! There’s so much light, so much stuff. I look at all the packets on the shelves and don’t know half of them. There’s a whole room full vegetables. It’s like a farm or somethin’. Don’t know half of them either. What are ya supposed to do with ‘em? I look for the can section and pick up two cans of spaghetti. Me mum loves spaghetti on toast. I see all the bread on a huge table. What is all this shit? Bread’s bread. I take one that looks like real bread, a square one, and the skinny guy at the check-out looks at me as if I’ve forgotten somethin. “What are ya lookin’ at?” I say. He looks away and then back at me and says, “Nothing at all, mate. Nothing at all.” And it’s like I hear the words he’s sayin’ but it’s not what he’s sayin’ and I can feel my ears burnin’ and that thumpin’ again. “How ya goin’?” It’s the security guy with a weak little smile on his puss. And more words but it’s not what he’s sayin’. What the fuck is he sayin’? And I want to scream so fuckin’ loud and punch his fuckin’ prissy face, cut his cock off, and shove it up his arse, but there’s so much fuckin’ light in here. I can feel it like sunshine and I say “Fine, thanks,” and it comes out like it isn’t me and I suddenly don’t know where I am. This skinny guy is handin’ me some money. “Here’s your change.” I look at it. I take it. “Don’t forget your stuff.” What? I take the bag and head for the street. I can feel security followin’ me. What did I do? What did I say? The world’s a mess and I have to side-step a man with a broom. “Fuck off!” I yell at him.

I get home and walk inside. Nothin’ but stink. And mess. No sound. I put the grocery bag on the table. It takes me five goes to find the toaster. I want to do this for me mum. I plug it in. I’m gonna make me mum some spaghetti on toast.  I can’t find a pot so I use a fryin’ pan. It’s got stuff stuck to it but there’s no washing stuff so, fuck it. I ring-pull the spaghetti and tip the sloppy stuff in the pan. I turn on the gas. I put two slices of bread in the toaster and push the level. Bang! There’s a flash, sparks, and I nearly shit myself. Fuck! Is that supposed to happen? I push the lever again. Nothin’. Again. Nothin’. Again. Nothin’. My jaw aches. Again. Nothin’! I yank the toaster from its socket and throw it into the lounge room. It hits the floor and a shower of crumbs flies up like a bomb’s gone off. I have to keep doin’ somethin’ or I’ll explode. A cup of tea. I’ll make me mum a cup of tea. Yeah. I search through the cupboards. Nothing but shit and stuff. Stuff and shit. Where’s the fuckin’ tea bags? I smell smoke or somethin’ and I turn to see the spaghetti burning in the pan. I grab it and throw the whole fuckin’ lot in the sink with all the other shit. I stand there with my mouth shut tight, tryin’ to steady my breathing. The thump-thump-thumping is deafening. I want to scream but me mum’s still asleep.

And then I remember. And the thought is like sunshine, like a birthday present. It could be happiness, even. The thumping stops and I suddenly want to laugh. The burger! I’ve got a burger in the fridge. Me mum’s burger. It’s there. Just there in the fridge. Me mum was right. I thought about the future, I’ve got this burger and now everything’s OK. This new feeling is strange, but kryst, it feels good. I’ll take her a nice burger. I get it out, un-wrap it, and find a clean plate, well sort of. I put the burger on the plate and take it into me mum. She’s still asleep. I get a little closer and I reach down to wake her like I always do. There’s vomit on her check and I can smell a different stink. What is that? I touch her shoulder and it’s like touching the toaster. Is this dead? I stand there. Me mum’s dead. I hear myself saying it. Me mum’s dead. I don’t know what to do. It’s like she’s been turned off, or something. What am I supposed to do? Dunno. I eat her burger.

That Other Eveline

  • a short story

That Other Eveline pic

I went into that place to pass some time but I really know that I went into that place to see if a man will look at me in that kind of way. You know the way I mean. I know I’m pretty and people keep saying it so I know but when I look in the mirror I see someone completely different. That doesn’t bother me because I’ve heard my own voice out of a recording machine and I didn’t sound like me either but people say that’s you Eveline so I know it’s me at the same time that I don’t know, but I do, that it’s my voice, my reflection. That’s how I’ve learnt to distrust what I see and hear. It isn’t rocket science. Anyway in I go and I’m aware that my hips are doing this kind of sway-y sexy thing that I don’t remember telling them to do but they are doing it alright and so I add a smile and a shoulder thing to boot. Then as I’m easing my arse onto a bar-stool like I’m turning over a plump apple cheek in a pan of frothy butter I think where did I learn to do this, but I’m not doing it for somebody! No. It’s just me walking and sitting. Yeah, right. I’m doing it for everybody, you stupid dipstick. Yet I’m just sitting here minding my own business but I’m aware that there are a lot of eyes on me, heads full of eyes, but I’m not doing anything, I’m not saying anything, I’m not given anyone the look. I say this to myself and at the same time I know it’s the truth; I also know it’s a lie but nobody knows that because nobody’s a mindreader; but then again it’s that other Eveline I have to mind. That voice of hers so soft and butter-wouldn’t-melt that I usually slip and thoughts and words like all-sorts fall out. 

I usually order a G&T because that’s what I like to drink but tonight I order a margarita. I like them too but they’re too expensive for me but at the same time as I’m saying to myself let’s have a margarita that other voice is also saying to myself you just hope some nice man will pay for it come the adding up time. 

And speaking of nice, it isn’t long before I can feel a dislocation in the air all around and I’m aware there’s a man sitting next to me. I don’t look up in case they see something that isn’t there but I can feel him folding his arms on the bar and resting his head with his eyes to the side looking at me like a boy does when he wants something he’s not allowed, something from his mum. He says something and so I have to look and I have to smile, it’s what I’ve been taught, and I know then, as clear as I know I’m sitting on it; I know what’s going to happen this night. He has a nice face, what I can see of it. He looks like a nice man. 

Now there’s a phrase, a nice man. I truly believe that they exist but something happens to nice men when they think that your look says something you don’t want it to say, when you know damn well they’re right but there’s that no-mindreader evidence again and so I sit there and sip my drink with my arms held in tight so my tits bulge like water wings. I’m just sitting having a drink. 

He asks me about my work and I tell him I’m a lab assistant in a research station, which is true. He says I don’t look like a lab assistant and I say of course I don’t, I’m not wearing my lab coat. Nice doesn’t necessarily mean smart.

You can tell by the look in their eyes, they’re looking at your face as if that’s the cause of it all, but it’s not really it’s what’s under my clothes and between my legs that they’re thinking about. What are they thinking about exactly? Are they picturing it in their mind’s eye? Funny isn’t it: it’s not what they see but what they can’t see that sends the blood racing into the dead-end making them touch their crotch or are they egging it on? So it’s all up to what they think is there. Then I suppose one vagina is very much like another, yeah, but it’s always the baubles and the arrangement of the icing on top that marks the difference between a cake and a tart. 

Like him his room is nice. Comfortable. Warm light, lots of books with a neatly made bed through an innocent-looking doorway. He offers me a drink. I agree to a G&T this time. Perhaps it will settle that feeling in the pit of my stomach, like a flapping fish gasping for air, like a hunger, like an ache. Of course, he puts on some soft music. I want to laugh, he’s seen too many set-up videos and I think how did I get here like a helicopter dropping rations to starving refugees. I was somewhere else and now I’m here. The other one tells me to relax, enjoy it. It’s nice. Nice.

We don’t make it to the neatly made bed. I wonder sometimes which voice is really me. It’s confusing. I sometimes hear myself saying stuff that I’d swear was coming from someone else. I didn’t say anything when he said he was only thinking of me. He refused a condom and so turned me over. What could I say to a nice man’s consideration? At least the pain stopped that fish flapping in my guts.

I don’t know how I got to the hospital and thought of the helicopter again but that’s when I met Rhonda. She told me she was a police officer. I said she didn’t look like a police officer. She said she was off duty and held my hand and tried to get me to remember what happened. I didn’t want to tell her because well because I wasn’t sure which voice to use or more accurately which voice would come out. She asked a lot of questions but I wasn’t very helpful. I didn’t know his name the other one said I couldn’t remember I never asked. I didn’t know where he took me although I did remember the time, two minutes to two. She asked if I meant 1:58 and I said yes, but her question made the other one laugh and I lost Rhonda for a moment. She didn’t ask any more questions. While they were stitching me up I remembered that it wasn’t the time it was the room number 222. Did I remember it because it was the time as well? I don’t know. Eveline thought it didn’t matter but I thought it might be helpful.

When Rhonda showed me into the interview room there was another woman there. She was called Valerie and was very adamant that I didn’t call her Val. I admire that. I decided to tell my mum never to call me Veeny it was Eveline or nothing. The other one snorted with disbelief but more like contempt. She was right of course.

Rhonda and Valerie talked a lot as if I wasn’t there which I found comforting and annoying at the same time. It was then that the other one got the better of me or really, I let my guard down a bit. I said that I really wanted some company that night and that…

Rhonda cut me off, almost shouted. She said Eveline! Eveline! and I thought for a moment that she knew which one of me was speaking. Eveline! Stop! I could see that Valerie agreed with her. Rhonda leaned forward and took my hand as if she was going to tell me something that would change my life. It did.

She said in a voice like a new mum that I wasn’t to think like that. I wasn’t to talk like that. I said quietly as if I really had spilt the milk that I thought I was supposed to tell the truth. Rhonda leaned back and she and Valerie shared a look that said shouted is she ready to be told? We have no choice came back the look. Rhonda shifted in her chair and a loud noise filled the room like drilling teeth.

She said look Eveline and I knew this was going to be good. She said that women had to be very careful about which truth in which context. Valerie shook her head the tiniest bit and interrupted as if she felt a translation was needed and told me that what was true was only true to those who believed it to be true. I asked if what she said meant that there was more than one truth. Yes, she said. Many said Rhonda. I could understand this since really there were two fish flopping in my guts but since I never really trust what I hear or see I knew I had to adopt just one truth. I had come to my senses and push the other one back a bit and so I told them that I was just sitting at the bar minding my own business and I met a man who seemed nice and I went to his room because he seemed good. It seemed like a date. But then he had anally raped me when I insisted he wear a condom and he refused. Wasn’t that considerate? interrupted the other one. Don’t say that said Valerie and I knew I had to be stronger.

The fish flopped but only a little bit. I had never been in a courtroom before. It was nothing like on TV. It looked like a church meeting room. The man was there looking like a little boy and the other one felt sorry for him but I was stronger today and I pushed her pushed her right down and refused to listen. The man didn’t speak but a tall thin woman spoke for him. She described my clothes and made them seem like nothing, holding in nothing and they were exactly the clothes that I wore but she described them as the clothes the other Eveline was wearing. Everything she said was true but it was the other Eveline’s truth. I knew that. Rhonda knew that. Valerie knew that and the tall thin woman must have known that too but she was stronger. She made me realise I too had to be stronger. I had to choose the one truth that was the only truth that would help me.

When I spoke, I did exactly what Valerie and Rhonda had told me to say. How to say it. What to think about when I said it. How to look when I said it. I chose. I told the truth.

The tall thin woman and the man talked together for a long time and the judge got a bit angry. The man then spoke and I knew that he had not seen me. He had not talked to me. He had not raped me. He had raped Eveline but not me; and I knew that he was really a nice man but he had seen the wrong one and I felt a little sorry for him but I know now that this is wrong of me to think this.

There are still two flopping fish in my stomach but one is much bigger than the other and I know now that this is right. My name is Eveline and I know what it true.

Memory

A short story.memory pic

1.

Police officers Jill Malby, with Dan Obeid driving, are patrolling in their car late at night.

“If you think you shouldn’t say something,” says Malby, “something sexist or racist, then you’re not sexist or racist.”

“Yes, but you think it, therefore you must be.”

“No. Society teaches us adults to override inappropriate learned responses from our childhood. This is what functioning adults do.”

“Bullshit! If a shock jock or politician starts mouthing sexist shit your so-called functioning adults will instantly jump on the band wagon, line up on talk-back radio or vote for the bastard.”

Before Malby can defend herself, area command comes on line and directs them to the southern approach to the Bridge. Someone has reported a body.

As they turn on to the Bridge they see a man standing bent next to, what looks like, a person lying on the walkway.

As the car pulls over, Obeid says, “I’ll stake-out the bollards, you talk to the guy.”

Both officers get out of the car, Obeid gets four orange bollards from the boot and places them around the police car with all lights still on and flashing. He completely ignores the noisy traffic zooming past. Malby gets out her ID and approaches the standing man. He’s wearing a crumpled suit but no tie.

“Excuse me sir, Officer Jill Malby,” she says proffering her badge. “Please step back, sir.” She crouches beside the body on the walkway, scrounges inside the clothing feeling for a neck; pauses, turns to Obeid and shakes her head. Obeid immediately gets out his phone and calls an ambulance as Malby stands up.

The standing man looks at her intently. “Do you know me?” he says.

“No, sir. I don’t.”

The man just stares at her.

“Can I have your name please?” she says.

“I don’t know.”

“Excuse me?”

The man just stares at her.

“Do you have any ID on you?”

“I don’t know.”

“Would you mind checking your pockets, please?”

As Malby taps away on her tablet the man pats himself down. He feels something, stops, looks surprised, and takes a wallet out of his coat’s inside breast pocket. He stares at it as if he’s never seen it before and hands it quickly to Malby, as if he knows nothing about it. She opens it and shows the man a driver’s licence with photo ID behind clear plastic. “Is that me?” he asks.

She checks the photo and his face and says, “It looks like you. Is your name Timothy John Reichmann?”

“I suppose so,” he says with a frown.

Malby stares at the worried looking man and says, “Sir, how are you feeling at the moment?”

He thinks about the question, his brow deepens, and then he says, “Lonely.”

Malby indicates the body lying at their feet. “Do you know this man?”

“I don’t know. Maybe I’m responsible.”

“What do you know, sir?”

The man just stares at her.  “I don’t remember.”

Malby rephrases her question, “What’s the last thing you do remember?”

The man thinks and then says, “Not being able to turn on the television.”

2.

Chief Inspector Sasha Lim, over-worked and undermined, sits at her desk turning her mobile phone over and over in her right hand. She stares into the nearest distance in a pose that dares anyone from the busy corridor outside her office to disturb her. Her mobile rings. It startles her. She drops it. The back-panel comes away and the ringing stops.

“Shit!” she says softly. She checks that no one is looking. She picks up the pieces, re-assembles them and turns the phone back on. She sees “Missed Call” and reads the name of her partner, Sal. She says, “Shit” again. She calls him back.

After two rings, he answers but doesn’t say anything.

“Sorry, I dropped the phone,” she says.

“I was hoping you would call me,” he says calmly.

“I would’ve if I had anything more to say; except I’m so so sorry.”

“Yes. You said that before, too.”

“I know. I don’t have an explanation.”

“Keep thinking about it. Something’s bound to occur to you.” He hangs up. What distresses her most is his sarcastic tone; as if he thinks she’s deliberately keeping something from him. Why would she do such a thing? What must he think of her?

Earlier that day, getting ready for her ninth night shift in a row, as she was in the bathroom her mobile rang and Sal answered it. When she emerged minutes later he was standing there leaning against the kitchen bench. It looked like he had been waiting for her. He was still holding her mobile phone.

The look on his face made her say, “What?”

“You just got a call.”

“Who was it?”

“A man named Samuel Moxey.”

“I don’t know any Samuel Moxey.”

“He knows you.”

“What did he want?”

“He was returning your call.”

“Impossible. Wrong number.”

“He referred to you as Sasha.”

“Samuel Moxey.” She shook her head. “No. Not for me.”

He stared at her disbelievingly.

She was getting annoyed now. “What?!”

“He said he has a buyer for the apartment.”

“I don’t know any Samuel Moxey. It was a wrong number.”

“He said he was returning your call. He said he had a buyer……” He shouted now.  “Have you put the apartment on the market? First I’ve heard of it.”

“First I’ve heard of it,” she shouted back.

The argument raged without any new revelations. Sasha Lim swore she knew no Samuel Moxey; that she had not put their home on the market; that it was a wrong number; that Moxey’s client’s name was Sasha was just a coincidence. Sal obviously did not believe her. His rage and sense of hurt shocked her. He seemed to be accusing her of disloyalty, no, stronger, he seemed to think she was being a traitor, undermining him, owning an agenda that did not include him. She felt as if her feet would not support her or that the floor was giving way beneath her. With his prolonged fervour and anger she found herself saying that she did not do any of the things he was accusing her of and then as some sort of attempt to placate him, heard herself say, “I don’t remember.” It gave his accusations credence. It made her sound guilty. No. No. The argument was unresolved and left her shaken and unsure of anything her senses were telling her. Did she speak to a man called Samuel Moxey? Did she put the apartment on the market? Sal believed she did. Did she? And just forgot? It was as if she had stepped into another reality, a hideous new reality where she was sure of nothing. She went to work.

3.

This scenario plays over again in her mind as she sits at her desk. How could he doubt her so much? How could he think she was lying? She loves him? He was behaving as if he didn’t love, as if he didn’t ….. He was behaving like a stranger. What has she done?! She is aware of a shadow in her doorway. She looks up. It’s an officer, Roméo, from the front desk. Roméo, isn’t it? is that his name?

“Ye-s?” she says as the word stumbles in her throat and comes out harshly, impatiently.

“Interview room 3,” is all he says as he hands her a single sheet of paper: a report of some kind. And he is gone like a scared rabbit.

She turns to one of the monitors on her desk, clicks it open, chooses ‘Interview Room 3’ from the pop-up menu and scans the report in her hand as the screen slowly comes to life. The screen shows Officer Jill Malby sitting across a table from the man in a very small and dreary room. Malby is looking straight at Sasha, at the camera up in the corner of the ceiling; confident now that the camera is on – there’s a little red light – she turns to face the man. Sasha watches and listens. What is she watching? What is she listening to? What is this?

Malby states her name, the date and the time; then his name, Timothy John Reichmann, and his address.

“Mr. Reichmann, did you call the emergency line earlier this evening?”

“I don’t know.”

“Do you know the man you were found standing over on the Bridge?”

“I don’t think so. It’s possible. I don’t know.”

“This wallet,” she says as she opens a plastic bag and takes out a wallet and displays its contents onto the table, “and these credit cards, receipts, and business, membership cards, all with Timothy Reichmann. Is that you?”

“I assume it must be. I don’t remember.”

Sasha Lim, with the report in her hand, hurries from her office, down corridors to Interview Room 3. She knocks and enters. She excuses and introduces herself as she takes a chair by a wall and sits next to Malby at the table, making it clear she is taking over.

“Mr. Reichmann,” she begins, “you were found standing over a dead man on the walkway of the southern approach to the Bridge this evening at about 11.30. Do you remember how you got there?”

“No.”

“Excuse me, Ma’am, Mr. Reichmann told me that the last thing he remembers is not being able to turn on the television.”

“Did I say that?” asks the man earnestly.

“Yes sir,” confirms Malby.

“Mr. Reichmann,” says Sacha, “do you want a lawyer?”

“Do I need a lawyer? I want to cooperate. I’m as curious as you are.”

“You remember nothing of tonight before Officers Roméo and…” she consults the report in front of her, “…Obeid were called to you on the Bridge?”

“Excuse me, Ma’am,” says Malby politely, “it was me that was with Officer Obeid tonight.”

“Yes. And your point?”

“I’m Officer Jill Malby.”

“Yes. Of course!” says Sacha as she checks the report again. “Of course,” and she looks at Malby as if the girl is deliberately being perverse. “So, Mr. Reichmann you remember nothing of tonight before you were picked up on the Bridge.”

“I don’t remember.”

Sasha remembers those where her own words to Sal her partner, her stranger, earlier this evening in their apartment that wasn’t, or was, for sale. Is it? “But you remember something about an apartment?”

“I beg your pardon?”

Sasha repeats her question, “You remember something about a television?”

“No. I don’t know about that.”

“What’s the last thing you remember now?”

“Waking up.”

“Where did you wake up?”

“There. On the Bridge. Standing with a man lying at my feet.”

“Did you know that man?”

“No.”

“A stranger?”

“Yes.”

Sacha is aware of a wave of anxiety surging up from her loins and threatening to engulf her. She feels an affinity with this man, this man who does or does not remember who he is, is found with a dead stranger. She asks, “What do you feel right at this moment, Mr. Reichmann?”

Malby looks with surprise at her superior.

He says, “I feel as if something black is about to happen to me, that I’m going to be overcome by something sinister and un-named. I can feel neurons in my brain missing each other, searching endlessly, frustratingly for a connection but finding nothing. Nothing. It’s just blank. Nothing.”

Malby pushes a plastic card towards Sasha. She looks at it. It is a membership card for the Australian and New Zealand Association of Neurologists. Sasha turns the card around and pushes it slowly towards the man who may, or may not be, Mr. Reichmann.

“Oh dear,” he says.

“What does that say to you?”

“It says a little bit of joy to me that what I’m feeling has something to do with my past, my reality, with who I am, and what’s happening to me, but also… also …I don’t know … it’s as if …if …” and there appears a catch in his voice as emotion shudders him a little and his eyes glisten as tears threaten to overflow “…also a little bit of dread that .. that …  if I knew who I am and what I do, my work, my life, and what I’ve forgotten, I would know exactly what is happening to me; I would know the dread is real and what is happening to me is a new reality and one that I would understand and therefore fear. Maybe I’m a neurologist who’s losing his mind. I don’t want that new reality, I … I … want the old reality … and …”

And Malby hears a sob escape the man’s lips but is then aware that the sob, followed quickly by another, does not come from the man, but from Chief Inspector Sasha Lim. She looks at her superior who is sitting rigid with a curved back in her chair, head down, trying desperately to hold on, to hold on to something.

“Ma’am? Are you alright?” asks Malby not sure what to do next. Malby hears something and leans closer.

“Room 4,” she finally discerns her superior saying through clenched teeth.

As Officer Jill Malby hurriedly leads a teary and even more confused Mr. Reichmann out of Interview Room 3 Chief Inspector Sasha Lim begins to shake uncontrollably and then vomits semi-digested food, coffee, and white and blue pills all over the table and onto the floor.

4.

One hour and thirty-five minutes later Officer Jill Malby, having found someone with the authority and willingness to sedate Chief Inspector Sasha Lim, hurries out to the car park to join Officer Dan Obeid as they continue their rostered patrol.

“So where were we up to?” she asks.

“What do you mean?” he says innocently.

“Our conversation.”

“Don’t remember.”

-oOo-

A new short story …

A work in progress …

I was curious about writing in the second person. The first person (“I went to ….”) and the third person (“She went to …”) are common, but the second person (“You went to …”) is not. It is hard to maintain since the narrator is either talking to the reader or to another character, and in either case eventually the narrative takes over. Elliot Perelman begins his excellent novel Seven Types of Ambiguity with the second person and it has a disquieting effect. I thought I’d give it a go.

I’m sure there must be somewhere in your past, a person, a place, that screwed out a little knot of fear in your little child’s mind. You know what I mean; where a young child’s untamed immigration is let loose by an overheard adult conversation in hushed tones with shaking heads. Remember that fear and let it mingle with another memory I’m sure you have; of an adult that was introduced, innocently enough, into your family but that you wondered what the hell they were doing there.

I added the word anyway, “Anyway, remember that fear …” to make the tone more friendly, more intimate, more conversational.

However, if there is anything I’ve learnt from reading it’s that writers want their readers to believe that what is being written is true. Such truth, created truth: verisimilitude, is achieved with the use of detail, among other things; so let’s do this again:

I’m sure there must be somewhere in your past, a person, a place, that screwed out a little knot of fear in your little child’s mind: the old man with the cleft-lip who lived in an old bus, spoke to no one, and ate nettles on toast – so the story went; the falling-down shop-front, boarded-up and silent since a little girl had her throat cut by a mentally deranged greengrocer all those years ago. It was in all the papers. You know what I mean; where a young child’s untamed immigration is let loose by an overheard adult conversation in hushed tones with shaking heads. Anyway, remember that fear and let it mingle with another memory I’m sure you have; of an adult that was introduced, innocently enough, into your family but that you wondered: who is this person? What are they doing there.

I wasn’t sure where this was going but I kept on

So, now that you have these two mingled memories you may understand how I felt when …

I needed to tie it all up and have it lead to something, someone; so I found myself writing …

 … Mum brought home a bag-lady one day and told me I had to call her Auntie Marge.

Now I have a possible title: Auntie Marge. One of my father’s sisters was called Marge, and I called her Auntie Marge. She wasn’t scary but it was the first name that sprang to mind. I hardly ever spoke to her. Maybe I was scared of her. But now I have a character that I need to flesh out a bit.

I don’t know why I thought of her as a bag-lady, she didn’t have any bags with her …

This is another ‘trick’ I’ve learnt from reading: the admission by the narrator that they don’t know something or don’t remember something. It adds verisimilitude.

… but it was the first time I had ever seen a woman with uncombed hair so I thought that’s what she was. I got a slap around the legs for using the term so I only said it once but that’s how I always thought of Auntie Marge; a bag lady.

I first of all had Kathy Bates (from Misery) in mind.

Kathy Bates Auntie Marge

 

 

I googled “scary aunt” and found this,

Scary Aunt Marge.

 

I think this is Geraldine Page. The hair is too neat, but the look is perfect. So with a mixture of these two images, but with messier hair, I had my look: Auntie Marge.

When she first looked at me she smiled down, unclasped her fingers and held out her hand and when I hesitated just for the briefest moment her face changed ever-so slightly like she suddenly knew exactly what I was thinking and I saw hatred in her pinched little eyes. I took her hand – I held my breath, I distinctly remember holding my breath – and she shook my hand and gave it a squeeze.

I thought my narrator should say something innocuous here, like “Nice to meet you” to which Auntie Marge could say, or say with a look of “Oh really?” However, my narrator is locked into only speaking when spoken to – and they were not alone, so I was left with a description of, of, her hand:

It was dry and scaly.

Now, I wanted to describe an event and an event when they were alone: something that upped the scary tone a bit. I’ve never written anything like this before.

I kept out of her way, which wasn’t difficult as I had been taught to keep out of everyone’s way. Adults didn’t like children hanging around; but one day when I was sitting at the big dining table, I had just installed a little electric engine into my lego windmill and I was trying to fix a jam-jar rubber around a little pulley so the silly thing would at least go round and round. I heard the door into the kitchen close behind me. This door was never closed, except in winter when there was a fire in the living room fire-place. This was summer and all the living-room curtains were drawn to keep out the heat so the room was gloomy but I had my desk-lamp plugged in and I was working in its light. I heard the door close and then nothing. I knew it was her. I knew she was there looking at me with her hands clasped together like she always did. I also became aware that there was no other sound in the house. My Dad was always out doing farm stuff but there were no other noises. Mum was out too. We were alone, Auntie Marge and me. In the house. Just us. And then she spoke:

“You don’t like me very much.”

That’s what she said, nothing else.

I didn’t know what to say. I had been taught to only speak when spoken to, and to never lie, of course, but this wasn’t a question. What was I meant to say? I didn’t know. Besides, I didn’t know what to say to something that was true, I didn’t like her. So I said nothing. Then she said, still just standing there, she said, “Are you sure you’re allowed to have a light on in the middle of the day?” Now, this was a question and a question deserves an answer, I knew that, and I did know Mum didn’t like lights on in the daytime but my lego town was too big for my desk in my room and it was too hot to play outside so I had to play with my lego town on the dining table in the living room and yes the curtains were drawn to keep the house cool so I had to have a light on. Again I didn’t know what to … and then she added quickly, “I could tell on you.” That’s what she said, just like fatty Raelene does when I pick my nose in class. I thought of turning off my desk lamp but then I’d be in the dark, all alone with Auntie Marge in the dark! And then she said it again  “I could tell on you,” adding “and I think I might.”

I’m not sure what happens next. Yet.

How I write.

A story starts with a jump.

When something makes me jump, a line in a book, a caption in a magazine, a phrase overheard, a tone of voice, a dream; a beginning. Short form stories are more personal than long form. I write most days but it can be on my notes page on my phone when I wake up at 3.46 am; on my iPad as I’m watching the news with a G&T at 6; on my desktop after staring at the screen for god-knows how long. Sometimes I’ll experiment. One of my current projects, a short story, I’m writing as a woman. I’ve tried this a few times but this time the woman is very unlikable, in fact she’s awful; the challenge is to make sure the reader understands that she’s awful. The reader has not to be on her side, yet is, in a way. That’s tricky, and more so as it’s in the first person. I test myself like this sometimes. Sometimes it works, sometimes it doesn’t.

At a New Year’s Eve party a friend told me a little anecdote about his piano lessons as a boy. I now don’t remember exactly what he told me because I turned it into a story and now, in my head, that story, Prelude, has become the reality of the anecdote. It’s no longer John’s anecdote, it’s Michael’s story.

I’m writing when my partner catches me talking to myself. I’m writing when I don’t answer him because I don’t hear him because I’m wondering what Robert will say when he sees his dead mother. “What? Sorry.” is a common phrase of mine at home.

I spew it onto the screen. I try not to worry about where does this fit or what can I do with this or how do I spell …, I just let it out. I usually write chronologically, but not always.

I’m always aware that I have to trust myself, my imagination, my ideas, my abilities. It’s no good second guessing; I’d get nowhere. What comes pouring out in the white heart of creation I have to trust that it’s right, correct, apt, necessary, true. It’s later when the white-heat is down to warm, in the cool light of next morning that decisions have to be made.

I write on an online publishing platform (Tablo); while the piece is labeled ‘draft’ no-one can read it. I have four or five projects going at once; two novels, three short stories, I think. One of them is dormant until I come across a really fail-safe murder plan. Once it’s finished I ‘publish’ it on Tablo and anyone can read it. I also have the option of posting it to iBooks where it is for sale. Regularly I email my notes, from my phone or iPad, to myself and cut and paste them onto the respective Tablo page. I have an iMac and don’t have Word; Tablo has all the editing tools I need.

When I’m trying to go to sleep at night it’s important to think about only one thing, not 247 things. That’s why counting sheep works. It’s one thing. I also concentrate on one thing: what Robert might do when he sees his dead mother, or any other character or snippet. These stories, half in my head, half on my screen, over time develop their own reality and they always get to a point where it’s imperative that I write them down; I have to write them down because they are the closest thing to the truth I know. If I don’t write them down they just sit there taking up space. Getting in the way. Writing them down is like getting rid of them.

But writing them down has its own responsibilities. I must think of the reader. I must get the process right. The process: my story, my descriptions, my ideas, my images being transported accurately, truthfully from my imagination to the reader’s imagination via little dark marks on a pale background, with no loss of information.

Once it’s in the imagination of the reader, it isn’t mine any more, and it means whatever the reader thinks it means. I have no say in it once it’s there, in your head. If you read the short story linked above, what was John’s anecdote, became my story, becomes your reading experience; and if you seek me out and ask me what did I mean by something, I won’t answer. It’s not my place to answer: it’s not mine, it’s yours now. It’s now you that has to trust your abilities.